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2023年，“庭院經(jīng)濟”首次被寫入中央1號文件，這一舉措為鄉(xiāng)村振興開辟了新路徑。庭院經(jīng)濟能盤活庭院空間里的各類資源，讓閑散資源創(chuàng)造經(jīng)濟價值，同時通過庭院這個“小窗口”，彰顯農(nóng)業(yè)多元功能與鄉(xiāng)村多重價值。庭院經(jīng)濟，亦稱小院經(jīng)濟，是農(nóng)戶以自家住宅院落、房前屋后及村莊閑散場域為空間，以家庭為單位，主要依靠自身勞動力，開展小規(guī)模種植養(yǎng)殖、鄉(xiāng)村旅游及衍生服務(wù)等，參與市場經(jīng)濟、獲取經(jīng)營收益的經(jīng)濟形態(tài)。廣義的小院經(jīng)濟，還涵蓋以院落空間為載體的休閑餐飲、文化體驗商業(yè)運營模式。這種模式核心面積雖不大，卻憑借迷你小溪、文案字、圍爐烤茶等國潮風場景，以及野奢露營帳篷、田園涼棚、戶外天幕、網(wǎng)紅咖啡屋等拍照打卡場景，深受消費者，尤其是年輕人的喜愛與追捧。

In 2023, the "courtyard economy" was written into the central Document No. 1 for the first time, a move that opens up a new path for rural revitalization. Garden economy can revitalize all kinds of resources in the courtyard space, let idle resources create economic value, and at the same time, through the "small window" of the courtyard, highlight the multiple functions of agriculture and multiple values of the countryside. Courtyard economy, also known as small yard economy, is an economic form in which farmers take their own residential courtyard, front and back of the house and village idle field as space, take the family as unit, and mainly rely on their own labor force to carry out small-scale planting and breeding, rural tourism and derivative services, etc., to participate in the market economy and obtain business income. The broad sense of small courtyard economy also covers the commercial operation mode of leisure catering and cultural experience based on the courtyard space. Although the core area of this model is not large, it is deeply loved and sought after by consumers, especially young people, with national tide scenes such as mini streams, copywriting, and tea roasting around the stove, as well as photo and card scenes such as wild luxury camping tents, garden pergolas, outdoor sky curtains, and Internet celebrity cafes.

小院可結(jié)合當?shù)貧v史傳承與人文習(xí)俗，衍生獨特IP。依托“小院”特色文化資源打造鄉(xiāng)村新空間，活化文化資源。通過“小院+文化”“小院+書院”“小院+藝術(shù)”“小院+非遺”“小院+農(nóng)耕”“小院+村史”等模式，構(gòu)建“小院”文旅內(nèi)生機制，實現(xiàn)全面發(fā)展。第一塑造品牌：為小院設(shè)定獨特的風格主題，如田園風、民俗風、禪意風等，并通過建筑裝飾、景觀營造、活動策劃等多方面體現(xiàn)主題特色。第二合理規(guī)劃：科學(xué)劃分生產(chǎn)、生活、休閑、商業(yè)等功能區(qū)域。注重空間布局的合理性與流暢性，確保各功能區(qū)相互協(xié)調(diào)又相對獨立。第三跨界融合：深入調(diào)研當?shù)刭Y源稟賦、市場需求與文化特色，結(jié)合鄉(xiāng)村旅游、生態(tài)農(nóng)業(yè)、文化創(chuàng)意等多領(lǐng)域，精準選擇適合的產(chǎn)業(yè)與業(yè)態(tài)。

The small courtyard can combine local historical heritage and cultural customs to generate unique IP. Relying on "small courtyard" characteristic cultural resources to create new rural space and activate cultural resources. Through "small courtyard + culture", "small courtyard + academy", "small courtyard + art", "small courtyard + intangible cultural heritage", "small courtyard + farming", "small courtyard + village history" and other models, the endogenous mechanism of "small courtyard" cultural tourism is built to achieve comprehensive development. First, build a brand: set a unique style theme for the courtyard, such as pastoral style, folk style, Zen style, etc., and reflect the theme characteristics through architectural decoration, landscape construction, activity planning and other aspects. The second reasonable planning: scientific division of production, life, leisure, business and other functional areas. Pay attention to the rationality and fluency of the spatial layout, and ensure that each functional area is coordinated and relatively independent. The third cross-border integration, in-depth investigation of local resource endowments, market demand and cultural characteristics, combined with rural tourism, ecological agriculture, cultural creativity and other fields, precise selection of suitable industries and formats.

一、九華山 · 正清和雅禪院

RESIDENTIAL DESIGN

禪境由心而生，正清和雅禪院是日清建筑為安徽蓮花小鎮(zhèn)打造的第一個建筑，也是小鎮(zhèn)的村口。初見九華，恰逢陰天。山形雖清晰，卻并不巍峨，心中稍感失望。然而，片刻之后，云開天晴，眼前豁然開朗，只見山外有山，層巒疊嶂，果然不負“東南第一山”的美譽。地藏銅像靜靜地佇立在山峰之下，與山水、村莊相依相伴，共同經(jīng)受著歲月的洗禮。唐開元末年，金地藏卓錫九華，自此，1600余載光陰流轉(zhuǎn)，地藏道場聲名遠揚。九華山的奇峰峻嶺與深厚的佛教文化底蘊水乳交融，形成了獨具特色的風貌。

Zen environment is born from the heart. Zhengqing and Ya Zen Courtyard is the first building built by Nissin Architecture for Lianhua Town in Anhui Province, and it is also the village entrance of the town. The first time I saw Jiuhua, it was cloudy. Although the mountain shape is clear, it is not lofty, and the heart is slightly disappointed. However, after a moment, the clouds opened and the sky was clear, and the eyes suddenly opened, and there were mountains outside the mountains, peaks and peaks, and it did not live up to the reputation of "the first mountain in the southeast". The Tibetan bronze statue stands quietly under the mountain, accompanied by mountains and rivers and villages, and withstands the baptism of the years together. In the late years of Tang Kaiyuan, Jindi Tibetan Zhuoxi Jiuhua, since then, more than 1600 years of time circulation, Tibetan dojo fame. The magnificent peaks and high mountains of Jiuhua Mountain blend with the profound Buddhist cultural heritage, forming a unique style.

在中國人的記憶深處，“一棵樹、一口井、一只打鳴的公雞”勾勒出熟悉的“村口”畫卷，滿載著濃濃的思鄉(xiāng)情。我們?yōu)樾℃?zhèn)精心打造了開闊的廣場、廣袤的水域、悠揚的鐘聲，還有那標志性的樹。建筑并未零散地隱于自然，而是完整地立于水面，宛如將四季美景攬入院中，又似歲月從院落悠悠流淌至山水之間。空間由人塑造，禪意卻自心底油然而生。在完整的屋檐下，功能分區(qū)被巧妙劃分與延展，庭院穿插其間，內(nèi)外邊界漸漸模糊。院內(nèi)院外皆是盈盈水光，倒影里，既能窺見禪院生活的寧靜祥和，又能領(lǐng)略山中的風雨變幻。

In the depths of Chinese memory, "a tree, a well, a crowing rooster" Outlines the familiar picture of the "entrance to the village", full of thick homesickness. We have carefully created the town with open squares, vast waters, melodious bells, and iconic trees. The building is not scattered hidden in nature, but completely standing on the water, as if the beauty of the four seasons into the hospital, and as if the years from the courtyard to the landscape. Space is shaped by people, but Zen comes from the bottom of my heart. Under the complete eaves, the functional zones are cleverly divided and extended, with courtyards interspersed between them, and the internal and external boundaries gradually blurred. The courtyard and the outside are full of water, and in the reflection, you can glimpse the quiet and peaceful life of the Zen courtyard, and you can enjoy the changes of wind and rain in the mountains.

建筑采用灰、木兩種色調(diào)，灰色在外，木色在內(nèi)。飾面磚以空斗磚墻形式拼貼，上面覆蓋小青瓦屋面，在鄉(xiāng)村界面中顯得拙樸沉穩(wěn)。禪院以拙樸之姿呈現(xiàn)，將交由漫長歲月填補空白。村莊、佛像的出現(xiàn)，是人類不同時期在自然中活動的成果，最終也會與自然融為一體。建筑屋頂為回旋向上的坡屋面，其最高點位于場地東南角，同時解決了局部兩層的功能設(shè)置問題。

The building uses two shades of gray and wood, gray on the outside and wood on the inside. The decorative tiles are collaged in the form of empty bucket brick walls, covered with small green tile roofs, which appear simple and calm in the rural interface. The temple is presented in a humble manner and will be left to the long years to fill the void. The appearance of villages and Buddha statues is the result of human activities in nature at different times, and will eventually be integrated with nature. The roof of the building is an upward sloping roof, and its highest point is located in the southeast corner of the site, which solves the problem of local two-storey function setting.

二、室內(nèi)美學(xué)

RESIDENTIAL DESIGN

內(nèi)院選用大量木色鋁板與玻璃，陽光映照下，盡顯溫暖。檐口之下，內(nèi)外材質(zhì)自然過渡；吊頂木色延伸至室外，倒影水中?；掖u鋪陳于走廊及小院四周，流動、延伸之感貫穿整個空間。

A large number of wood-colored aluminum panels and glass are used in the inner courtyard to make it warm under the sunlight. Under the cornice, the internal and external materials transition naturally; The wood color of the suspended ceiling extends to the outside, reflecting the water. Grey bricks are laid out around the corridors and courtyards, creating a sense of flow and extension throughout the space.

天井采用進口菠蘿格原木，打造徽居中典型的四水歸堂，建造過程，仿佛是一場古今的對話。這座建筑的基本功能是酒店。其房間設(shè)置在南面及東面，推窗可望山敬佛。二層部分將房間橫向布置，由此形成一條內(nèi)走道，天窗也自然出現(xiàn)。頂部采光延伸至樓梯位置，構(gòu)成若干方形矩形窗井。隨著光線變化，這里形成了一個意外生動的空間。

The patio adopts imported pineapple lattice logs to create a typical four-water hall in Hui House. The construction process is like a dialogue between ancient and modern times. The basic function of the building is a hotel. Its rooms are set in the south and east, pushing the Windows to look forward to the mountain and worship Buddha. On the second floor, the room is arranged horizontally, creating an inner walkway and skylights. The top light extends to the stairway, forming a number of square rectangular window Wells. As the light changes, an unexpectedly vivid space is formed.

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