倏忽，閃現，震顫，飄蕩

To Slip, To Twinkle, To Tremble, To Hover

藝術家 | Artists

喬治·伯恩，余若婕

George Byrne, Yu Ruo-Jie

策展人 | Curator

倪安琪

Angie Nee

展期 | Duration

2022.11.09-12.04

Nov. 9th - Dec. 4th, 2022

開放時間 | Opening Time

11:00-19:00，周一公休

11:00-19:00，Closed on Monday

地點 | Location

上海市膠州路273弄60號3-9幢104

104, 3-9 Building. NO.60, 273 Lane,

Jiaozhou Road, Shanghai

門票 | Ticket

單人票68元，雙人票110元

Single ticket ￥68, Double ticket ￥110

（*點擊上方二維碼或海報購票）

11月10日（周四）上午11點，áunn museum展覽“倏忽，閃現，震顫，飄蕩”，將在上海市膠州路273弄60號3-9幢104對公眾進行開放。此次展覽由fibre聯合主辦，現所提供場地支持。現場試圖從George Byrne和余若婕兩位藝術家不同的視覺風格作品中去探尋圖像、符號中隱秘的語言。

George Byrne和余若婕在以往的實踐中探索著“照片無修”的兩種截然不同的方向。Byrne看似輕松、商品化的構圖之中極具至上主義的理性和幾何；余若婕的創作則顯得絢麗、熱烈而感性，隨機性背后是無數的主動選定與精心編排。后真相的時代，圖片已經成為一種看似直觀卻充滿欺騙和選擇性敘述的媒介。兩位藝術家的影像特質正如語言的本質一般: 涉及我們，發音、鳴響、震顫、飄蕩，倏忽閃現地觸動我們。

On November 10th (Thursday) at 11:00 am, áunn museum is pleased to present the exhibition To Slip, To Twinkle, To Tremble, To Hover at 104, 3-9 Building. NO.60, 273 Lane, Jiaozhou Road, Shanghai. The show is co-organized by fibre, the space is provided by NOW. This exhibition explores the metaphorical language in images and symbols from the different visual style works of George Byrne and Yu Ruo-Jie.

George Byrne and Yu Ruo-Jie explored two completely different directions of "Photo Without Photoshop" in their past practice. Byrne's seemingly relaxed and commercialized composition is full of supremacist rationality and geometry; Yu Ruo-Jie's creation is gorgeous, warm, and emotional, and behind the randomness is countless active selection and careful arrangement. Images have become seemingly intuitive but full of deception and selective narrative media in the post-truth era. The image characteristics of the two artists are just like the essence of language: involving us, pronouncing, ringing, trembling, hovering, and suddenly touching us.

喬治·伯恩

George Byrne

澳大利亞攝影師

Australian photographer

George Byrne (GB) 1976年出生在澳大利亞，2001年畢業于悉尼藝術學院。他曾在意大利、印度、澳大利亞、洛杉磯和紐約舉辦多個國際展覽。在澳洲期間僅僅是學生的GB攝影作品就已經在悉尼的多家報紙雜志上刊登，被評選為澳洲年度青年攝影師。

George Byrne于2010年搬遷到加州洛杉磯，多次獲得Head On，Focus Photo等大型攝影大賽獎項。2019年，George Byrne在Minimalist Photography Awards（極簡主義攝影獎）的美術類中獲獎，并在2020年被評為該獎項的Minimalist Photographer （年度極簡主義攝影師）。George Byrne的攝影作品也在Aesthetica, ICON, Jones, Russh等數十家大型出版物上刊登。

George Byrne was born in Sydney, Australia in 1976 and graduated from Sydney College of the Arts in 2001. He has exhibited internationally in Italy, India, Australia, Los Angeles, and New York. During his stay in Australia, he was just a student whose photography works have been published in many newspapers and magazines in Sydney, and he was elected as the Australian Young Photographer of the Year.

George Byrne moved to Los Angeles, California in 2010 and won many awards in large photography competitions such as Head On and Focus Photo. In 2019, George Byrne won the Minimalist Photography Awards in the art category, and in 2020, he was named Minimalist Photographer of the Year. George Byrne's photographic works have also been published in large publications such as Aesthetica, ICON, Jones, Russh, etc.

余若婕

Yu Ruo-Jie

藝術家 / 寫作者

Artist / Writer

余若婕的藝術表達運用了影像、裝置、繪畫、文字及綜合材料等。曾在北京三影堂攝影藝術中心、EYECANDIES GALLERY舉辦個展。長期實踐的視覺藝術攝影項目：“照片無修”（Photo Without Photoshop）， 旨在探索脫離軟件技術支撐, 直接輸出視覺效果特殊化虛構化的超現實攝影風格， 使用鏡頭語言呈現虛構的視覺小說，在無限的光影中探索存在的感知力和個體意識。

將實向虛的視覺語言進行詩性的轉換表達，更深入地討論了靜態攝影中模糊感與存在感之間的關系。將社會文化的議題和內在情感體驗連接，進入到一個新的視覺化感受視角，圖像構成新一維空間的觀感所產生的自足性，在當代藝術的實踐中，通過視覺輸入和輸出去產生反應且引發力量。

The artist Yu Ruo-Jie uses a multitude of mediums to display her works for interdisciplinary creation. Excelling in directions of digital imaging, paintings, text, and comprehensive materials. She has held solo exhibitions in Beijing Three Shadows Photography Art Center and EYECANDIES GALLERY(Shanghai). The visual art project "Photo without Photoshop" aims to explore the possibillity of creating a surreal photograph styled with abstraction, imagery and virtualization visual effects, framing and visual techniques to stylize without the use of digital photo editing, these works present fictionalized visual novels with fuzzy aesthetics by lens language, explore the perception of existence and individual consciousness in the infinite light and shadow.

Poetic transformation of visual language from real to virtual expression, building a more indepth discussion around a visual static photograph, the feelings that can arise from it, and the relationship between the sense. Connect social and cultural issues with internal emotional experience, and enter a new visual perception perspective. The self-sufficiency generated by images constituting the perception of a new dimension. This is the practice of contemporary art, visual input and output are used to generate responses and trigger forces.

Virgil , Archival Pigment Print , 85.7x106cm, 2016

Pink Tile, Archival Pigment Print, 120.7x149.2cm, 2019

El Chavo, Archival Pigment Print, 85.09x85.73cm, 2016

說謊花-七月二日， 靜態影像，2021

照片無修-我可能以后再一一敘述（一），靜態影像，2018

夢者曉夢-生了夢（五），靜態影像，2020