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很多人做國風設計，誤把傳統風格等同于符號堆砌：如明清家具、雕花擺設、名人字畫等。但這些過時的元素，早已無法吸引當代消費者。真正的當代國風設計，需要拋開表面符號，聚焦空間的情感價值與商業效益。設計的核心是讓空間有溫度、讓體驗有共鳴，從而實現內容流量變現和盈利效益增長。作為設計者我們應該關注以下三個方面：首先是體驗感：打造舒適、簡約的現代空間，讓用戶“留得住、愿再來”。其次是情緒價值：光線、材質與意境的平衡，讓人身心放松，提升入住滿意度。最后是市場效益：設計融入當代美學，降低裝修成本，同時提升品牌調性與溢價空間。去符號化，做有生命力的空間設計，才是國風美學的走向。

Many people do national style design, mistakenly equate the traditional style with symbols: such as Ming and Qing furniture, carved decorations, celebrity calligraphy and painting. But these outdated elements have long failed to appeal to contemporary consumers. The real contemporary national style design needs to put aside surface symbols and focus on the emotional value and commercial benefits of space. The core of the design is to make the space have temperature, so that the experience has resonance, so as to realize the realization of content traffic and profit growth. As designers, we should pay attention to the following three aspects: the first is the sense of experience: to create a comfortable and simple modern space, so that users can "stay and want to come again". The second is the emotional value: the balance of light, material and artistic conception, which makes people relaxed and improves the satisfaction of staying. Finally, the market benefit: the design integrates contemporary aesthetics, reduces the decoration cost, and improves the tonality and premium space of the brand. De-symbolization and vitality of space design is the trend of national style aesthetics.

東方人的藝術奇觀，蒼窘在上，人需謙卑。古時有一種天花藝術，穹然高起，精雕細琢，仿佛把整個宇宙都裝了進去——這就是藻井。在先人們的智慧中，藻井不僅僅是裝飾，更是結構與美學的完美結合。方、圓、八角、復合形態，斗拱疊加，既穩固又華麗，靠榫卯結構撐起建筑的“天宇”。天圓地方，水火相生，藻井上的蓮花紋飾，暗合自然規律，蘊藏著對平衡與和諧的追求。從宋遼的簡約大氣，到明清的精雕細琢，每一片藻井，都是空間設計的高光時刻。北京智化寺的華麗藻井，如倒掛天宮；山西凈土寺九宮藻井，設計邏輯巧妙到極致。古人的設計不只是結構營造，更是對時間、空間與文化的永恒表達。

The artistic wonders of the East are embarrassed, and one needs humility. In ancient times, there was a kind of ceiling art, the dome was raised and finely carved, as if the whole universe was contained in it - this is the caisson. In the wisdom of the ancestors, caisson is not only decoration, but also the perfect combination of structure and aesthetics. Square, round, octagonal, compound form, dougong superposition, both stable and gorgeous, by mortise and tenon structure to prop up the building "Tianyu". The sky is round, water and fire coexist, and the lotus pattern on the caisson corresponds to the law of nature, which contains the pursuit of balance and harmony. From the simple atmosphere of Song and Liao dynasties to the exquisite carving of Ming and Qing dynasties, every piece of caisson is a highlight moment of space design. The magnificent caisson of Zhihua Temple in Beijing, like hanging upside down in Heaven Palace; Shanxi pure land Temple nine palace caisson, design logic ingenious to the extreme. The design of ancient people is not only the construction of structure, but also the eternal expression of time, space and culture.

一、浙江 · 珍瓏度假莊園

RESIDENTIAL DESIGN

《舟山志》記載：“翁環皆海，雖非膏腴之地，但田可耕種，山可采樵，海可捕魚，亦稱敦沃之都”。項目舊址原為一處荒廢已久的漁村，依山傍海，卻在風蝕日曬中逐漸破敗。這里仍保留著古樸的氣息與殘存的江南建筑韻味，講述著當年人們在此生產與生活的煙火故事。“青石子”這一地名便源自此舊村落。為了不負山海詩意，不負一脈相承的文化傳承，設計團隊為此量身打造了一場“重建新生”，旨在實現人與自然的和諧共生。

"Zhoushan Annals" records: "Wenghuan all the sea, although not rich land, but the fields can be cultivated, the mountains can be harvested firewood, the sea can be fishing, also known as the Dun Wo capital." The project site used to be an abandoned fishing village, near the mountains and the sea, but in the wind erosion and sun gradually dilapidated. Here still retains the simple atmosphere and the remaining charm of Jiangnan architecture, telling the fireworks story of people's production and life here in those years. The name "green stone" is derived from this old village. In order to live up to the poetry of the mountains and seas, and live up to the cultural inheritance of the same line, the design team tailor-made a "reconstruction of new life" for this purpose, aiming to realize the harmonious coexistence of man and nature.

在項目的初期規劃中，計劃保留一部分原始石墻作為民宿接待中心的核心元素，以此彰顯生態環保的設計理念，并為建筑賦予新生。然而，由于建筑規模的限制以及原始墻體結構的嚴重損壞，這一設想不得不被擱置。因此，轉而采用當地豐富的自然資源，如白色灰泥和石頭墻，以體現傳統民居的遺傳特色。為了最大程度地保護并傳承村落的傳統特色與風貌，設計團隊深入研究了鄉土建筑，解析了當地民居的建筑形式，并梳理了自然環境的特征，從而為建筑外觀的設計提供了靈感來源。

In the initial planning of the project, we planned to retain part of the original stone wall as the core element of the homestand reception center, in order to highlight the ecological design concept and give the building a new lease of life. However, due to the limitations of the size of the building and the serious damage to the original wall structure, the idea had to be shelved. Therefore, we turned to the rich natural resources of the area, such as white stucco and stone walls, to reflect the genetic characteristics of traditional houses. In order to maximize the protection and inheritance of the traditional features and styles of the village, the design team conducted an in-depth study of the vernacular architecture, analyzed the architectural forms of local dwellings, and sorted out the characteristics of the natural environment, thus providing a source of inspiration for the design of the architectural appearance.

山海之間，遠離塵囂。從西山月落至旭日初升，海面灑下金光。落日余暉將一切籠罩在溫柔之中，海浪繾綣，漁船歸港。暮色漸沉，燈火初上。面對此景，時間仿佛凝固，思緒隨潮水起伏。在景觀規劃中力求減少人為干預的痕跡，追求“雖由人作，宛自天開”的境界，保留那些觸動人心的自然美景。在設計上，建筑不僅僅是一個獨立的實體，而是自然的延伸，巧妙地將自然元素融入人造環境之中。這一理念強調了與自然和諧共生的重要性，不僅體現在建筑和景觀與自然環境的融合，也體現在傳統文化與現代審美之間的和諧共存。這種設計理念是本項目的核心思想，也是其獨特之處。

Between the mountains and the sea, far from the crowd. From the setting of the moon in the west Mountains to the rising of the sun, the sea is sprinkled with golden light. The sunset enveloped everything in tenderness, the waves filled the sea, and the fishing boats returned to port. Dusk was fading, and the lights were coming on. In the face of this scene, time seems to freeze, thoughts with the tide ups and downs. In landscape planning, we strive to reduce the trace of human intervention, and pursue the realm of "though it is done by man, it is not opened by nature", and preserve the natural beauty that touches the heart. In its design, the building is not just an independent entity, but an extension of nature, cleverly integrating natural elements into the man-made environment. This concept emphasizes the importance of living in harmony with nature, not only in the integration of architecture and landscape with the natural environment, but also in the harmonious coexistence between traditional culture and modern aesthetics. This design concept is the core idea of the project, but also its unique.

二、室內美學

RESIDENTIAL DESIGN

在室內空間設計中采用開放式的結構，旨在同時滿足功能需求和審美追求。通過融合當地的歷史文化、自然環境以及新興潮流元素，我們因地制宜地創造出一個既現代又具有地域特色的“村落”。這個位于都市邊緣的新聚落，為城市居民提供了一個放松身心、聚會交流的理想場所。所有圍繞山巒和海景的位置，都采用了大面積的玻璃幕墻設計，以增強視覺的開放性。自然光作為媒介，在空間中扮演著重要角色，它不僅增強了人與空間的互動，還讓觀看和體驗變得更加愉悅，從而帶來身心的舒適享受。

In the design of the interior Spaces, we adopted an open structure designed to meet both functional needs and aesthetic pursuits. By integrating the local historical culture, natural environment and emerging trend elements, we create a modern and regional "village" according to local conditions. This new settlement on the edge of the city provides an ideal place for city dwellers to relax, meet and mingle. All the locations around the mountains and sea views are designed with large glass curtain walls to enhance the visual openness. As a medium, natural light plays an important role in the space, which not only enhances the interaction between people and space, but also makes the viewing and experience more pleasant, thus bringing physical and mental comfort.

采用藤編、棉麻和夯土等自然材料，營造了一個質樸而溫馨的空間。大面積的玻璃窗設計，最大限度地將四周的山景與樹木納入眼簾，使得室內外景色融為一體，營造出一種寧靜和諧的氛圍。在這里，您可以在身心放松的同時，享受光影交錯、月色浮動帶來的美妙體驗。在客房內，開放的天窗或落地玻璃窗讓室內外的對話成為現實，打破空間界限，盡可能讓游人體會身在自然之中的美妙，進一步強化自然共生的體驗之感——夜望繁星，晨沐朝陽。

Using natural materials such as rattan, cotton and rammed earth, we have carefully created a rustic and warm space. The large area of glass window design maximizes the surrounding mountain scenery and trees into the eye, making the indoor and outdoor scenery integrated, creating a peaceful and harmonious atmosphere. Here, you can relax your body and mind while enjoying the wonderful experience of staggered light and shadow and floating moonlight. In the guest rooms, open skylights or floor-to-ceiling glass Windows make the dialogue between indoor and outdoor a reality, breaking the boundaries of space. We try our best to let visitors experience the beauty of being in nature, and further strengthen the experience of natural symbiosis - looking at the stars at night, soaking up the sun in the morning.

空間名稱：珍瓏·青石子度假莊園

空間類型：酒店民宿、度假民宿、精品酒店、鄉村民宿

空間地址：浙江省丹山市普陀區塘頭村青石子路2號

設計團隊：朱曉燕、紀曉靜、周宗亮、柯進

建筑面積：1000平方米

空間主材：微水泥、水磨石、火山巖、原木皮、夯土板、黃銅不銹鋼

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