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什么才是民宿里的奢侈品呢?其實(shí)我們不該把焦點(diǎn)放在用什么植被、什么墻板,什么壁紙,什么沙發(fā)。建筑需要與自然融合,所以民宿中真正的奢侈品應(yīng)該是是雨露、光影、空氣、蟲(chóng)鳴鳥(niǎo)聲等這些自然的素材。傳統(tǒng)的空間阻隔了人與自然的關(guān)系,將人們關(guān)在了一個(gè)看似舒適的籠子里。我們真正要考慮的是怎樣“用細(xì)雨,去打落樹(shù)葉,控制陽(yáng)光形成的影子,引入風(fēng)花去撞擊風(fēng)鈴”,所以民宿空間應(yīng)該有更多的開(kāi)放型設(shè)計(jì)。
What are the luxuries of a homestay? In fact, we should not focus on what vegetation to use, what wall panels, what wallpaper, what sofa. Architecture needs to be integrated with nature, so the real luxury should be rain and dew, light and shadow, air, insects, birds and other natural materials. Traditional space blocks the relationship between man and nature, locking people in a seemingly comfortable cage. What we really need to consider is how to "use drizzle to knock down leaves, control the shadow formed by sunlight, and introduce wind flowers to impact wind chimes", so the residential space should have more open design.
少則得,多則惑;靜而生慧,簡(jiǎn)而至美。東方禪意講究?jī)?nèi)心的寧?kù)o與平和,強(qiáng)調(diào)“少即是多”的設(shè)計(jì)哲學(xué)。在民宿的設(shè)計(jì)中,禪意不僅是美學(xué)表達(dá),更是一種生活方式的體現(xiàn)。通過(guò)簡(jiǎn)約樸素的空間,營(yíng)造出讓人身心放松的氛圍,幫助入住者擺脫都市壓力,找到內(nèi)心的平衡。這種設(shè)計(jì)風(fēng)格迎合了現(xiàn)代消費(fèi)者對(duì)個(gè)性化與慢生活的追求,形成了獨(dú)特的市場(chǎng)定位。對(duì)于民宿主而言,禪意民宿不僅具有極高的市場(chǎng)吸引力,還具備可持續(xù)的溢價(jià)能力,能夠快速占領(lǐng)中高端市場(chǎng),形成品牌效應(yīng),致力于將東方智慧與現(xiàn)代設(shè)計(jì)融合,打造出具備商業(yè)價(jià)值的精品民宿,創(chuàng)造無(wú)與倫比的入住體驗(yàn)。
Less means more, more means more. Quiet and wise, simple and beautiful. Oriental Zen emphasizes inner tranquility and peace, emphasizing the design philosophy of "less is more". In the design of homestay, Zen is not only an aesthetic expression, but also an embodiment of GD lifestyle. Through simple and simple space, create a relaxing atmosphere to help residents get rid of urban pressure and find inner balance. This design style caters to modern consumers' pursuit of personalized and slow life, forming a unique market positioning. For the host, Zen Hostel not only has a high market appeal, but also has a sustainable premium ability, can quickly occupy the high-end market, the formation of brand effect, is committed to the integration of Oriental wisdom and modern design, to create a boutique hostel with commercial value, to create an unparalleled stay experience.
一、青城山 · 六善
RESIDENTIAL DESIGN
榮登《Travel+Leisure》全球最佳休閑度假酒店榜單洲際集團(tuán)(IHG Group)旗下頂奢品牌坐落在世界自然與文化遺產(chǎn)的青城山腳下,被蒼翠的山林環(huán)繞,呼吸間都是清新的空氣。革新演繹的古村落設(shè)計(jì),結(jié)合只進(jìn)不出”的八卦式布局,與道家文化契合,搭配古色古香與原生態(tài)氛圍交融,彰顯出低調(diào)的奢華感。
The Top luxury brand of IHG Group is located at the foot of the natural and cultural World Heritage Qingcheng Mountain, surrounded by green mountains and breathing fresh air. The innovative interpretation of the ancient village design, combined with the "only in can not get out" layout of the gossip, fit with the Taoist culture, with the antique and the original ecological atmosphere blend, highlighting the low-key luxury.
六善品牌以其獨(dú)特的選址和設(shè)計(jì)哲學(xué),在全球度假勝地中獨(dú)樹(shù)一幟。青城山六善酒店作為全球第九家、中國(guó)唯一一家六善酒店,完美詮釋了這一理念。六善的設(shè)計(jì)總是與當(dāng)?shù)氐娜宋暮妥匀毁Y源緊密結(jié)合,創(chuàng)造出既美觀又實(shí)用的空間。在青城山六善,從餐廳到水療中心,從圖書(shū)屋到有機(jī)菜園,再到客房,每一處都巧妙地運(yùn)用了當(dāng)?shù)刎S富的竹資源,將“竹”的元素發(fā)揮到了極致。這種設(shè)計(jì)不僅使空間更加和諧統(tǒng)一,也展現(xiàn)了對(duì)自然的尊重和利用。酒店的藝術(shù)布局和空間營(yíng)造都體現(xiàn)了可持續(xù)的品牌概念。在這里,現(xiàn)代風(fēng)格與當(dāng)?shù)匚幕昝廊诤希瑺I(yíng)造出一個(gè)寧?kù)o而美麗的世外桃源。
With its unique location and design philosophy, the Six Senses brand is unique among global resorts. As the ninth hotel in the world and the only one in China, Liushan Hotel Qingcheng Mountain perfectly interprets this concept. Liushan's design is always closely integrated with the local people and natural resources, creating Spaces that are both beautiful and functional. In Qingcheng Mountain Liushan, from the restaurant to the spa, from the book house to the organic vegetable garden, and then to the guest rooms, each place has cleverly used the abundant local bamboo resources, bringing the "bamboo" element to the extreme. This design not only makes the space more harmonious and unified, but also shows respect and use of nature. The artistic layout of the hotel and the creation of Spaces reflect the sustainable brand concept. Here, modern style and local culture blend perfectly to create a peaceful and beautiful hideaway.
酒店占地181畝,巧妙融合四川本土川西民居村落式布局,自行車隨處可見(jiàn),供住客在酒店內(nèi)自由騎行。建筑設(shè)計(jì)由Antique Chinese Architects與六善集團(tuán)聯(lián)合打造,整體風(fēng)格現(xiàn)代而不失蜀派建筑韻味,外觀以純中式風(fēng)格與原木構(gòu)造為主。漫步酒店之中,處處可感受到六善品牌所追求的距離感與自然感。定期舉辦各種文化活動(dòng)和體驗(yàn)項(xiàng)目,如太極課程、瑜伽課程、手工藝制作等,在度假的同時(shí),豐富自己的精神世界。
The hotel covers an area of 181 mu, cleverly integrated with the local Sichuan West Sichuan village layout, bicycles can be seen everywhere, for guests to ride freely in the hotel. The architectural design was jointly created by Antique Chinese Architects and Liushan Group. The overall style is modern without losing the flavor of Shu style architecture, and the exterior is dominated by pure Chinese style and log construction. Walking in the hotel, you can feel the sense of distance and nature pursued by the Liushan brand everywhere. A variety of cultural activities and experience projects are held regularly, such as tai chi classes, yoga classes, handicrafts, etc., to enrich your spiritual world while on vacation.
二、室內(nèi)美學(xué)
INTERIOR AESTHETICS
酒店擁有122間客房,房型豐富多樣,包括半獨(dú)立復(fù)式別墅的六善套房、庭院套房、室內(nèi)裝飾均采用環(huán)保材料,整體配色選用了原木色搭配淡綠色,既自然又清新。客廳和主臥的燈光布局偏暖色調(diào),營(yíng)造出一種冬暖夏涼的宜人氛圍。房間內(nèi)的木梁、木質(zhì)吊扇、藤編燈具等元素與現(xiàn)代設(shè)施完美融合,展現(xiàn)了傳統(tǒng)與現(xiàn)代的和諧共生。
The hotel has 122 rooms, room types are rich and diverse, including semi-independent duplex villa six Shan suite, courtyard suite, interior decoration are made of environmentally friendly materials, the overall color selection of raw wood with light green, both natural and fresh. The lighting layout of the living room and master bedroom is warm in color, creating a pleasant atmosphere that is warm in winter and cool in summer. Wooden beams, wooden ceiling fans, rattan lamps and other elements in the room are perfectly integrated with modern facilities, showing the harmonious coexistence of tradition and modernity.
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