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茶本靈草，一葉知心。中國古茶，最早源于5000年前神農時期，以茶解毒。而后隨著茶文化的發展，品茶又被稱為十大雅事之一。所謂茶道即心道，茶空間多以文人書房為骨，禪宗空寂美學為魂，將茶事升華為一場東方哲學實踐。洛書數理、陰陽相濟。主茶席區多呈太極陰陽魚布局，烏木、白瓷，茶器，落座即入陰陽平衡之境。空間動線依《茶經》得"一之源、二之具、三之造、四之器"依次展開，移步換景間重現唐代煮茶、宋代點茶、明代瀹茶的時空之變。冥想參禪，品茗社交，抄經悟道，這些都是茶空間的功能。鳳凰三點頭、七分滿迎客，這是專屬中國人的茶禮。此間深意，恰在茶湯將滿未滿時的道場里。

Tea this spiritual grass, a leaf bosom. Ancient Chinese tea, which originated from the Shennong period 5,000 years ago, used tea to detoxify. With the development of tea culture, tea tasting is also known as one of the ten elegant things. The so-called tea ceremony is the heart way, and the tea space mostly takes the literati study as the bone and the empty aesthetics of Zen as the soul, elevating the tea event into an Oriental philosophical practice. Luo Shu mathematics, Yin and Yang. The main tea mat area is mostly a tai chi Yin Yin fish layout, ebony, white porcelain, tea ware, that is, into the balance of Yin and Yang. According to the "Tea Classic", the spatial moving lines of "one source, two tools, three forms and four tools" unfold successively, reproducing the spatio-temporal changes of brewing tea in the Tang Dynasty, ordering tea in the Song Dynasty and brewing tea in the Ming Dynasty. Meditation and meditation, drinking tea and socializing, copying scripture and understanding, these are the functions of tea space. Phoenix three nod, seven points full welcome guests, this is the exclusive Chinese tea ceremony. This deep meaning, just in the tea soup will be full or not when the dojo.

在民宿設計中融入禪茶空間，可以為客人提供一個寧靜、放松的體驗，同時提升民宿的文化氛圍。以下是設計禪茶空間時可以考慮的幾個關鍵要素：一是空間布局：簡約開放：禪茶空間應避免過于復雜的裝飾，保持簡潔、通透的布局，營造寧靜的氛圍。自然分區：利用屏風、竹簾或低矮的隔斷進行功能分區，既保持空間的開放性，又增加私密感。動線流暢：確保空間內動線清晰，方便客人進出和活動。二是材質選擇：天然材料：使用木材、竹子、石材等天然材料，體現自然與禪意的結合。質樸質感：避免過于光滑或現代感強的材質，選擇帶有自然紋理的材料，如原木家具、麻布坐墊等。環保理念：選用環保材料，體現可持續發展的設計理念。三是燈光設計：柔和光線：采用暖色調的燈光，避免過亮或過冷的光源，營造溫馨、舒適的氛圍。自然采光：盡量利用自然光，搭配紗簾或百葉窗，調節光線強度。局部照明：使用落地燈、壁燈或茶桌上的小臺燈，突出茶具或裝飾品。四是細節設計：留白藝術：適當留白，避免空間過于擁擠，體現禪意的空靈與簡約。手寫書法：在墻面或屏風上加入書法作品，增加文化韻味。茶席布置：注重茶席的細節，如茶巾的折疊、茶具的擺放，體現精致與用心。

Integrating zen tea space into the design of the homestay can provide guests with a peaceful and relaxing experience while enhancing the cultural atmosphere of the homestay. The following are several key elements that can be considered when designing Zen tea space: First, space layout: simple and open: Zen tea space should avoid overly complex decoration, maintain a simple and transparent layout, and create a quiet atmosphere. Natural partition: The use of screens, bamboo curtains or low partitions for functional partition, not only to maintain the openness of the space, but also to increase the sense of privacy. Smooth moving line: Ensure clear moving line in the space, convenient for guests to enter and exit and activities. The second is the selection of materials: Natural materials: the use of wood, bamboo, stone and other natural materials, reflecting the combination of nature and Zen. Rustic texture: Avoid overly smooth or modern materials and choose materials with natural textures, such as log furniture and linen cushions. Environmental protection concept: The selection of environmentally friendly materials, reflecting the sustainable development of the design concept. The third is the lighting design: soft light: the use of warm tones of light, avoid too bright or too cold light source, to create a warm and comfortable atmosphere. Natural lighting: Try to use natural light, with gauze curtains or blinds, adjust the intensity of light. Local lighting: Use floor lamps, wall lamps or small table lamps on tea tables to highlight tea sets or decorations. The fourth is the detail design: the art of white space: appropriate white space to avoid overcrowding, reflecting the ethereal and simple Zen. Handwriting calligraphy: Adding calligraphy works on walls or screens to increase cultural charm. Tea table layout: Pay attention to the details of the tea table, such as the folding of the tea towel and the placement of the tea set, reflecting the delicacy and attention.

一、桐廬 · 康萊德

RESIDENTIAL DESIGN

有人提到：即便是最挑剔的酒店愛好者，也會被桐廬康萊德的自然美景所撫慰。“一山獨占一酒店”，其建筑巧妙地隱于群山之中，這種宏偉與私密性在江浙滬的國際品牌度假酒店中頗為罕見。所有建筑錯落有致地分布在山間或湖畔，前往大堂的蜿蜒公路上，更帶來“山水交錯、柳暗花明”的視覺享受。

It has been mentioned that even the most discerning hotel lovers will be comforted by the natural beauty of Tonglu Conrad. "One mountain exclusive one hotel", its architecture cleverly hidden in the mountains, this kind of grandeur and privacy in Jiangsu, Zhejiang and Shanghai international brand resort hotel is quite rare. All the buildings are scattered in the mountains or by the lake, and the winding road to the lobby brings the visual enjoyment of "landscape interleaving, willows and flowers".

山嵐由湖面水汽蒸發形成，日復一日地掠過湖岸，飄過林梢，在綿延的山谷間緩緩游移。依山傍水的桐廬康萊德酒店，便隱匿于這有時淡有時濃的脈脈云煙之中。若選擇一天中最美的將夜未夜時分前往，沿著山林間蜿蜒的公路前行，順著視線里柔和的燈光，轉過幾道和緩的彎，穿過數重薄薄的霧氣，便能抵達目的地。桐廬康萊德酒店的燈光設計，出自2019英國照明設計獎（LDA）酒店類別大獎得主PROL光石之手。巧合的是，憑借此項目，光石再度入圍2020 LDA酒店類設計獎，成為全球8個候選項目之一。此外，這一項目還榮獲了2020“美尚獎 - 照明設計專項金獎”等專業獎項。作為業內首個提出“探索光的隱性價值”的設計機構，光石的關注點不僅在于怎樣運用光線點亮夜色中的酒店，更在于如何通過對整體光環境進行管理，使酒店與藍色星空下的山光水色相互交融輝映，從而將酒店隱入山林之中。

Mountains and mountains, formed by the evaporation of water from lakes, glide day after day over the shore, over the tops of forests, and slowly through the long valleys. The Conrad Tonglu Hotel, near the mountains and by the water, is hidden in this sometimes light and sometimes thick pulse clouds. If you choose the most beautiful part of the day will go at night, along the winding road in the mountains, along the line of sight of the soft light, turn a few gentle bends, through several thin fog, you can reach the destination. The lighting design of Conrad Tonglu is by PROL Lightstone, winner of the Hotel Category at the 2019 British Lighting Design Awards (LDA). Coincidentally, with this project, Lightstone has once again been shortlisted for the 2020 LDA Hotel Design Award, becoming one of eight shortlisted projects worldwide. In addition, this project has also won the 2020 "Merchamp Award - Lighting Design Special Gold Medal" and other professional awards. As the first design agency in the industry to propose "exploring the hidden value of light", the focus of light stone is not only how to use light to light up the hotel in the night, but also how to manage the overall light environment, so that the hotel and the mountains and water colors under the blue sky blend with each other, so as to hide the hotel in the mountains and forests.

二、空間美學

RESIDENTIAL DESIGN

“光的體驗感，一定源于內心，歸于自然，這是東方的隱喻之美，這也是東方的至理哲學。”設計在客房建筑向內凹陷的人字挑檐結構處以及建筑內部。結合這種結構特點，盡管建筑的頂部和外立面沒有任何可見光源，但那輕灑漫溢在屋檐和墻角的光，不經意間便勾勒渲染出屋檐與短墻渾樸雅致的造型與質感。在湖岸和山谷間，一棟棟建筑從內部被點亮，錯落有致地點綴其中。光從內側隱隱勾描出建筑的前立面及整體輪廓；而屋頂和側立面，則悄然融入溶溶月色之中。白天清晰利落的建筑體塊，在光的渲染與收斂之間，實現了與夜的完美融合。

The design is in the indented herringbone eave structure of the guest room building and the interior of the building. Combined with this structural feature, although there is no visible light source on the top and facade of the building, the light spilling over the eaves and corners inadvertently Outlines and renders the simple and elegant shape and texture of the eaves and short walls. Between the lakeshore and the valley, buildings are lit from the inside and dotted. Light from the inside reveals the front facade and overall outline of the building; The roof and side facades blend quietly into the melting moonlight. The clear and crisp building blocks of the day, between the rendering and convergence of light, achieve a perfect integration with the night.

在設計藝術品陳設照明時，有意弱化周圍空間。當住客置身于相對幽暗的空間中，偶然遇見某件被一束柔光照耀的陳設；光已悄然無聲地將視線和心念引向一盆花、一幅畫或一件雕塑。那一刻，生活變得如此純凈安寧；身邊環繞的，唯有無邊無際的靜謐，以及觸動心靈的美。

When designing artwork furnishings and lighting, the surrounding space is intentionally weakened. When guests are in a relatively dark space, they come across a piece of furniture illuminated by a soft light; Light has quietly directed eyes and thoughts to a pot of flowers, a painting or a sculpture. In that moment, life becomes so pure and peaceful; Surrounded by nothing but boundless silence and beauty that touches the heart.

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