來源：設計先鋒隊（ID:toot8448）

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Interpreting this member club hidden in the heart of Washington, DC from an artistic perspective is like opening a three-dimensional architectural history book. Stonehill Taylor and Soho House Design used the golden age of the 1920s as a pen to write a counterpoint between retro aesthetics and contemporary functionality in the historical shells of Riggs Bank and Security Bank of America. When members walked through the historic lobby of the Walker Building and the elevator rose to the 9th floor, the geometric edge of Art Deco and the carved columns of neoclassicism completed a century-old dialogue at the door frame - the architectural team retained the different facades of the two buildings, but used metal corridors to construct a visual narrative of "time and space folding", allowing the copper waistline of Art Deco and the texture of neoclassical stone to interpret each other in light and shadow.

用藝術視角解讀這座隱于華盛頓特區核心地帶的會員俱樂部，恰似翻開一本立體的建筑史書。Stonehill Taylor 與 Soho House Design 以 1920 年代的黃金年代為筆，在 Riggs 銀行與美國安全銀行的歷史軀殼中，書寫著復古美學與當代功能的對位法。當會員穿過沃克大廈的歷史大堂，電梯升至 9 層的瞬間，Art Deco 的幾何鋒芒與新古典主義的廊柱雕花便在門框處完成了世紀對話 —— 建筑團隊保留雙樓迥異立面，卻以金屬連廊構建出 “時空折疊” 的視覺敘事，讓裝飾藝術的銅質腰線與新古典的石材肌理在光影中互為注解。

歷史肌理中的功能轉譯

The design of the library contains the code of political aesthetics: the retro mantel and the striped wall coverings of the White House during the Obama era echo the times, the oak desk in the daytime will be blurred by the bar lamp at dusk to become a social space, and the folds of the leather armchair seem to be precipitated with the whispers of a century of financial history. The Kennedy-era murals and custom mosaic floors in the living room next door form a symphony of colors. In the collision of bright yellow and indigo, the brushstrokes of Sister Parish style are engaging in a cross-time and space dialogue with De Stijl geometric patterns. This translation of historical scenes is not a simple reproduction, but a disassembly of the solemnity of the East Wing of the White House into a touchable design language - just like the framed view of the Washington Monument in the restaurant lounge, the crackling of the fireplace and the stage jazz together weave the emotional map of urban social interaction.

圖書館的設計暗藏政治美學的密碼：復古壁爐架與奧巴馬時期白宮條紋墻布形成時代呼應，日間的橡木書桌在黃昏時分會被吧臺燈暈染成社交場域，皮革扶手椅的褶皺里仿佛沉淀著百年金融史的低語。隔壁客廳的肯尼迪時代壁畫與定制馬賽克地板構成色彩交響，明黃與靛藍的碰撞中， Sister Parish 風格的筆觸正與 De Stijl 幾何圖案展開跨時空對談。這種歷史場景的轉譯并非簡單復刻，而是將白宮東翼的莊重感拆解為可觸摸的設計語言 —— 就像餐廳 lounge 的華盛頓紀念碑框景，壁爐的噼啪聲與舞臺爵士樂共同編織著都市社交的情感圖譜。

材質敘事的感官交響

The de Gournay hand-painted wallpaper at the entrance is a visual prelude: the soft pink of cherry blossom is interwoven with the cool gray of the stone of the Walker Building. The geometric hollowing of the metal door allows the sun to cast changing spots of light on the mosaic floor. In terms of touch, the warmth of the brass handles and the coolness of the marble steps form a sensory contrast. Founders Restaurant is the pinnacle of material poetics: the stained-glass window lattices filter the outline of the White House dome into colorful spots of light, the caramel tone of the wooden wainscoting forms a warm tone with the same carpet as the Kennedy Family Dining Room, and the glass ceiling that imitates the White House sunroom makes natural light the most luxurious decorative material at noon.

入口處的 de Gournay 手繪壁紙堪稱視覺序曲：櫻桃 blossom 的柔粉與沃克大廈石材的冷灰交織，金屬門扉的幾何鏤空讓陽光在馬賽克地面投下變幻的光斑，觸覺上，黃銅拉手的溫潤與大理石臺階的冰涼形成感官反差。Founders 餐廳則是材質詩學的巔峰之作： stained - glass 窗欞將白宮穹頂的輪廓濾成斑斕光斑，木質護墻板的焦糖色調與肯尼迪家族餐廳同款地毯形成暖調合圍，而仿白宮日光室的玻璃天花板，則在正午時分讓自然光成為最奢侈的裝飾材料。

自然與建筑的曖昧邊界

The greenhouse space plays out a hazy narrative of indoor and outdoor: vines cling to metal frames, rattan furniture and floral cushions bring the natural atmosphere of the Potomac River into the interior, and the glass curtain wall eliminates the boundary between architecture and garden. The stone mosaic floor of the rooftop bar hides the metaphor of star maps. When dusk permeates the Washington skyline, the silhouette of the monument and the warm light of the bar form the double voice of the city nocturne. This introduction of nature is not a blunt implantation, but a continuation of the texture of the material - such as the echo of the texture of the outdoor stone and the indoor floor tiles, allowing members to feel the philosophy of "architecture is an extension of nature" as they move from one scene to another.

溫室空間上演著室內外的朦朧敘事：藤蔓植物攀附于金屬框架，藤編家具與花卉坐墊將波托馬克河畔的自然氣息引入室內，玻璃幕墻消弭了建筑與園林的界限。屋頂酒吧的石砌馬賽克地面暗藏星圖隱喻，當暮色浸染華盛頓天際線時，紀念碑的剪影與酒吧暖光構成城市夜曲的雙重聲部。這種對自然的引入并非生硬植入，而是通過材質質感的延續 —— 如室外石材與室內地磚的紋路呼應，讓會員在移步換景中感受 “建筑即自然延伸” 的哲學。

From the vaults of the historic bank to the streamlines of the contemporary social space, the design team used “archaeological precision and poetic imagination” to make every detail a narrative node. The preserved original lobby columns and newly created metal installations are like the DNA double helix that twists the past and the present into the design. On the skeleton of functionalism, a spatial texture full of human warmth grows - this may be the most moving metaphor of The Ned’s Club: true luxury is to let history continue to breathe in contemporary life.

從歷史銀行的拱頂到當代社交空間的流線，設計團隊以 “考古學般的精確與詩人般的想象”，讓每處細節都成為敘事節點。那些保留的原始大堂立柱與新創的金屬裝置，恰似將過去與現在擰成設計的 DNA 雙螺旋，在功能主義的骨架上，生長出充滿人文體溫的空間肌理 —— 這或許正是 The Ned’s Club 最動人的隱喻：真正的奢華，是讓歷史在當代生活中繼續呼吸。

編輯：夏邊際

撰文：豆寶寶

校改：吳一仁

編排：布忠耀

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