現(xiàn)實主義濾鏡

Filter Realism

藝術(shù)家：陳文華 董鈞 葛宇路 耿雪 雎安奇 冀北

柯明 李怒 李舜 梁紹基 羅旖旎 沈凌昊

石玩玩 盛劍鋒 魏子涵 鄔羽喬 夏天

辛云鵬 許翔 姚聰 楊晨 余果 鄭江

佐藤時啟

藝術(shù)總監(jiān)：李小山

策展人：陳瑞

策展團隊：高雅 毛春海 曲俊唐玲 王韻 徐軒露

時間：2023.10.10——10.29

地點：南京藝術(shù)學(xué)院美術(shù)館3展廳

Artists : Chen Wenhua Dong Jun Ge Yulu Geng Xue Ju Anqi Ji Bei Ke Ming Li nu Li Shun Liang Shaoji Yini Luo Shen Linghao Shi Wanwan Sheng Jianfeng Wei Zihan Wu Yuqiao Xia Tian Xin Yunpeng Xu Xiang Yao Cong YangChen Yu Guo Zheng Jiang Tokihiro Sato

Art Director : Li Xiaoshan

Curator : Chen Rui

Teams : Gao Ya Mao Chunhai Qu Jun Tang Ling Wang Yun Xu Xuanlu

Dates : 2023.10.10——10.29

Venue : AMNUA Hall 3

前言

本次展覽以現(xiàn)實主義為題，并不是類型學(xué)或者風(fēng)格學(xué)上的分析，而更多關(guān)注是藝術(shù)家對于事物的觀看方式和表達(dá)手段，折射出他們對當(dāng)下的反思。

“現(xiàn)實主義”不是來給某個展覽、現(xiàn)象、群體下一個定義，但不可否認(rèn)的是，“現(xiàn)實主義”是一個特殊的存在。現(xiàn)實主義是一個藝術(shù)史上的具有歷史感的名詞，藝術(shù)風(fēng)格可能會更迭，但是它反映客觀精神的態(tài)度遠(yuǎn)不會過時。在這里，它更像是一種可以搭載開放多元基因的拓展的平臺，在不同語境下不斷對接生成新的表達(dá)。在不同的領(lǐng)域有著不同的角色和定義，也可以承載魔幻、超越、理性、反叛……這為我們留下了巨大的想象空間。

而濾鏡已經(jīng)成為一種最日常的現(xiàn)實，無處不在。打開手機拍照攝像，美顏修圖成為了一種自動生成的技術(shù)，更不用說新科技所構(gòu)建的“虛擬現(xiàn)實”圖景。從技術(shù)到行為再到思想，毋庸置疑會有潛移默化的“濾鏡式”影響。當(dāng)我們站在作品面前，投射出的光影同每個人自己的形成一種交織，映射出一幅新的現(xiàn)實主義濾鏡圖景。

這是當(dāng)下的現(xiàn)實主義，更是時代的濾鏡。

陳瑞

Preface

This exhibition is titled Realism Filter, which is not a typological or stylistic analysis, but focuses more on the artists' way of looking at things and their means of expression, reflecting their reflections on the present.

I don't want to use "ism" to define a certain exhibition, phenomenon or group, but it is undeniable that "realism" is a special existence. Realism is a term with a sense of history in art history. Art styles may change, but its attitude of reflecting the objective spirit will never go out of fashion. Here, it is more like a platform that can carry the open and diversified genes to expand, and generate new expressions in different contexts. Can have different roles and definitions in different fields, can also carry magic, transcendence, rationality, rebellion ...... which leaves us a huge space for imagination.

And the filter has become one of the most everyday reality, ubiquitous. Turn on your cell phone to take a picture and camera, beauty retouching has become an automatically generated technology, not to mention the "virtual reality" picture constructed by the new technology. From technology to behavior to thought, there is no doubt that there will be a subtle "filter" influence. When we stand in front of the work, the light and shadow filters that are projected are intertwined with each person's own filters, mapping out a new picture of realism.

This is the realism of the present, but also the filter of the times.

Chen Rui

October, 2023

展覽現(xiàn)場

主辦：南京藝術(shù)學(xué)院美術(shù)館

聯(lián)合主辦：廈門大學(xué)創(chuàng)意與創(chuàng)新學(xué)院

sponsor ：AMNUA

co-sponsor ：ICI XMU