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貝聿銘曾說過：空間雖然是凝固的，可在它上面蘊含著人文思想。只要抓住了空間五感設計，多一點細節處理，就能大大提升歸屬感。

Pei Ming once said: although the space is solidified, it contains humanistic thoughts. As long as you grasp the five senses of space design and deal with more details, you can greatly enhance the sense of belonging.

空間五感通常指的是視覺、聽覺、觸覺、嗅覺和味覺這五種感官在空間設計中的應用，旨在創造一個多維度、全方位的體驗環境。視覺：視覺是人們在空間中最直接的感知方式，它涉及到色彩、形狀、光線等元素。設計師通過巧妙運用這些元素，可以營造出不同的氛圍和情感。例如，明亮的色彩和柔和的光線可以創造出溫馨舒適的氛圍，而冷色調和強烈的對比則可能帶來現代或前衛的感覺。聽覺：聽覺在空間設計中同樣重要，它可以通過背景音樂、自然聲音或特定音效來增強空間的體驗感。例如，輕柔的音樂可以讓人放松，而歡快的節奏則能提升人的活力。在某些特殊場合，如博物館或紀念館，特定的音效還能引導人們的情緒和注意力。觸覺：觸覺是通過身體與空間中的物體接觸而產生的感覺。在空間設計中，觸覺體驗可以通過材料的質感、溫度、濕度等因素來實現。例如，柔軟的織物、溫暖的木材或涼爽的石材都能給人帶來不同的觸覺感受，從而影響人的情緒和行為。

The five senses of space usually refer to the application of the five senses of sight, hearing, touch, smell and taste in space design, aiming to create a multi-dimensional and all-round experience environment. Vision: Vision is the most direct way for people to perceive in space, which involves elements such as color, shape, and light. Through the clever use of these elements, designers can create different atmospheres and emotions. For example, bright colors and soft light can create a warm and cozy atmosphere, while cool colors and strong contrasts may bring a modern or edgy feel. Hearing: Hearing is equally important in space design, which can enhance the experience of the space through background music, natural sounds or specific sound effects. For example, soft music can relax people, while upbeat rhythms can boost people's energy. On special occasions, such as museums or memorials, specific sound effects can also direct people's emotions and attention. Touch: Touch is the sensation produced by the body coming into contact with objects in space. In space design, tactile experience can be achieved through factors such as material texture, temperature, humidity, etc. For example, soft fabrics, warm wood or cool stone can give people a different sense of touch, which affects people's emotions and behavior.

嗅覺：嗅覺在空間設計中往往被忽視，但它卻能極大地影響人的情感和記憶。通過使用香薰、精油或其他氣味源，可以為空間增添獨特的氛圍。例如，清新的花香可以讓人感到愉悅和放松，而濃郁的咖啡香則能激發人的創造力和活力。味覺：雖然味覺在空間設計中不常被直接考慮，但在某些特定場合，如餐廳或咖啡館，味覺體驗卻是至關重要的。設計師可以通過創造與食物或飲品相協調的空間氛圍，來增強味覺的享受。例如，通過調整照明、音樂和裝飾風格，可以營造出適合品嘗美食的環境。

Smell: Smell is often overlooked in space design, but it can greatly affect people's emotions and memories. By using aromatherapy, essential oils or other scent sources, you can add a unique atmosphere to the space. For example, the fresh flowers can make people feel happy and relaxed, while the rich coffee aroma can stimulate people's creativity and vitality. Taste: Although taste is not often considered directly in space design, in certain situations, such as a restaurant or cafe, the taste experience is crucial. Designers can enhance the enjoyment of taste by creating a space atmosphere that is in harmony with food or drink. For example, by adjusting the lighting, music and decorative style, you can create an environment suitable for eating food.

一、浙江 · 來野十二獸

RESIDENTIAL DESIGN

位于湖州霞幕山的幽深山林之中，四周環繞著巍峨的山巒和野性的嶺地。在這片廣闊的空間里，一間民宿得以盡情展現其野性魅力，仿佛是一頭棲息在森林深處的猛獸。這便是「來野·十二獸」的設計師民宿，它坐擁百畝山谷的仙境，與自然和諧交融，四季景色各異。酒店由屢獲金獎的設計師沈墨匠心獨運，以野獸派風格為靈魂，巧妙運用真實混凝土材料，營造出一種質樸而略帶不完美的美感，既寧靜又震撼心靈。通過精心布局的建筑體塊，自然光線得以流暢地滲透至室內，實現了內外空間的和諧交融。置身其中，猶如漫步于山林間，自在愜意。

It is located in the deep forest of Xiamushan Mountain in Huzhou, surrounded by lofty mountains and wild ridges. In this vast space, a homestay can fully display its wild charm, like a beast inhabiting the depths of the forest. This is the "Laiye · Twelve Beasts" designer homestay, it has a hundred mu valley wonderland, harmonious blend with nature, the four seasons of different scenery. The hotel by the gold award-winning designer Shen Mo ingenuity, with fauvism style as the soul, the clever use of real concrete materials, to create a simple and slightly imperfect aesthetic, both quiet and shocking. Through the carefully arranged building volumes, natural light is allowed to flow smoothly into the interior, achieving a harmonious blend of internal and external Spaces. In it, like walking in the mountains, comfortable.

野獸派建筑（Brutalist architecture）是20世紀中葉興起的一種建筑風格，尤其在民間項目和公共建筑中廣受歡迎。該風格以野獸派雕塑的形式，讓人們對建筑材料和結構特征產生了獨特的欣賞視角。視覺上，野獸派建筑以其幾何線條、堅固的混凝土框架、夸張的樓板、雙層高的天花板、巨大的禁忌墻以及裸露的混凝土為特點。其調色板主要是單色，強調功能優先于形式，追求簡約而非浮華的設計。

Brutalist architecture is an architectural style that emerged in the mid-20th century and is particularly popular in folk projects and public buildings. The style, in the form of brutalist sculptures, gives a unique appreciation of building materials and structural features. Visually, Brutalist architecture is characterized by its geometric lines, solid concrete frames, exaggerated floor slabs, double-height ceilings, huge taboo walls, and exposed concrete. Its color palette is largely monochromatic, emphasizing function over form and pursuing simplicity over glitz.

在建筑外立面的設計中，設計師增加了許多視野的考量，通過落地玻璃與體塊結合，每一間客房都能看到室外最好的風景。入口處設置了一條長長的汀步道，增加了整個入戶的儀式感，鏡像的水面將建筑的倒影拉長，仿佛與天地融為一體。

In the design of the facade of the building, the designer added a lot of visual considerations, through the combination of floor-to-ceiling glass and volume, each room can see the best scenery outside. A long promenade at the entrance adds a sense of ritual to the entrance, and the mirrored water elongates the building's reflection, as if it were one with heaven and earth.

二、室內美學

RESIDENTIAL DESIGN

設計師巧妙地將建筑設計的精髓延伸至室內，確保內外空間在視覺與理念上的連貫性。通過水景與建筑結構的自然過渡，營造出“山島竦峙，水何澹澹”的意境，仿佛步入一幅動態山水畫卷。圓洞設計打破了傳統三角形體塊的呆板，為空間注入了靈動之氣，同時成為寵物嬉戲與人們打卡留念的亮點。不同形態的建筑體塊精心布局，引導自然光線溫柔灑落，室內外界限模糊，實現了和諧共融的對話。漫步其間，仿佛穿梭于山林之間，享受著一份難得的寧靜與自由。

The designer has cleverly extended the essence of the architectural design to the interior, ensuring a visual and conceptual coherence between the interior and exterior Spaces. Through the natural transition of the water feature and the building structure, the artistic conception of "the mountain island is hard and the water is indifferent" is created, as if stepping into a dynamic landscape painting. The round hole design breaks the rigidity of the traditional triangular shape block, infuses the space with vitality, and becomes a bright spot for pets to play and people to punch the card. The building blocks of different forms are carefully arranged to guide the gentle flow of natural light and blur the boundaries between indoor and outdoor to achieve a harmonious dialogue. Walking in the meantime, as if shuttling between the mountains, enjoy a rare peace and freedom.

十二間房對應十二個生肖，各具特色的設計主題呼應各自生肖元素，寬敞的落地窗模糊了室內外的界限，觀景視野極佳，坐望茶山云海探索野趣的十二間客房，設計師深入洞察動物的生活習性與獨特之處，從細微之處展現其特色。每一間客房都獨具匠心，既各具特色又和諧共處，為賓客帶來與眾不同的居住體驗。每間客房的視野風景獨特，讓您在山林中盡享寧靜與樂趣。

Twelve rooms correspond to twelve zodiac signs, each unique design theme echoes the elements of their respective zodiac signs, spacious floor-to-ceiling Windows blur the boundary between indoor and outdoor, excellent viewing vision, sitting at the tea mountain cloud sea to explore the wild 12 rooms, designers insight into the habits and unique aspects of animal life, from the subtle to show its characteristics. Each room is unique, unique and harmonious, providing guests with a unique living experience. Each room has a unique view, allowing you to enjoy peace and fun in the mountains.

龍 | Dragon：通過波光粼粼的材質呈現出龍鱗片的質感，材質的碰撞加深空間的氛圍感。圓弧形體塊構造相互連接，展現出龍盤旋的身形姿態，在泡池中沐浴，享受尊貴的體驗。

| Dragon: The sparkling material presents the texture of dragon scales, and the collision of materials deepens the atmosphere of the space. The circular block structure is connected to each other, showing the circling body posture of the dragon, bathing in the bath pool, enjoy the noble experience.

猴 | Monkey：猴是loft親子房，擁有縱向的活動空間以及獨立的院落，呈現出猴子在高松的樹叢中跳躍的習性。從室內到室外，盡情釋放天性。

| Monkey: The monkey is a parent-child loft room, with longitudinal activity space and independent courtyard, showing the habit of monkeys jumping in the tall pine trees. Let nature out, indoors and out.

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