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在中國(guó)文化史上，竹林七賢（嵇康、阮籍、山濤、向秀、劉伶、阮咸、王戎）是魏晉時(shí)期最具代表性的名士群體。他們以放達(dá)不羈的行為、崇尚自然的思想和對(duì)禮教的反抗，成為魏晉風(fēng)度的象征。他們的生活方式、哲學(xué)思考以及藝術(shù)成就，不僅影響了當(dāng)時(shí)的社會(huì)風(fēng)氣，也對(duì)后世文人精神產(chǎn)生了深遠(yuǎn)影響。竹林七賢是中國(guó)士人精神史上的一個(gè)獨(dú)特現(xiàn)象。他們?cè)诤诎档恼苇h(huán)境中，以放達(dá)的行為、深刻的哲學(xué)思考和藝術(shù)化的生活方式，表達(dá)了對(duì)自由與真實(shí)的追求。盡管他們的抗?fàn)帋в斜瘎∩?，但其精神遺產(chǎn)至今仍激勵(lì)著人們對(duì)獨(dú)立人格與思想自由的向往。他們的故事提醒我們：在專制與壓迫面前，人依然可以通過藝術(shù)與哲學(xué)，守護(hù)內(nèi)心的尊嚴(yán)。

竹林七賢的文化內(nèi)涵是崇尚自然，反抗禮教：“越名教而任自然”（嵇康）：他們反對(duì)儒家繁瑣的禮法，主張回歸人的本真狀態(tài)。玄學(xué)思辨與精神超越：他們通過玄學(xué)探討宇宙人生，如：嵇康《養(yǎng)生論》討論如何超越世俗欲望。向秀注《莊子》，試圖調(diào)和“名教”與“自然”的矛盾。清談成為他們逃避現(xiàn)實(shí)、追求精神自由的方式。藝術(shù)與人格的審美化：嵇康善彈《廣陵散》，臨刑前仍從容演奏；阮咸改良樂器，后世稱“阮咸”。阮籍的《詠懷詩(shī)》隱晦表達(dá)對(duì)時(shí)局的憂憤。酒是他們逃避現(xiàn)實(shí)、抒發(fā)情感的媒介，如劉伶《酒德頌》贊美醉酒的逍遙。

In the history of Chinese culture, the Seven Sages of the Bamboo Grove (Ji Kang, Ruan Ji, Shan Tao, Xiang Xiu, Liu Ling, Ruan Xian and Wang Rong) were the most representative group of scholars during the Wei and Jin Dynasties. With their unrestrained and unrestrained behavior, thoughts that Revere nature and resistance to the rites and teachings, they became the symbol of the style of the Wei and Jin Dynasties. Their way of life, philosophical thinking and artistic achievements not only influenced the social atmosphere at that time, but also had a profound impact on the spirit of scholars in later generations. The Seven Sages of the Bamboo Grove is a unique phenomenon in the spiritual history of Chinese scholars. In the dark political environment, they expressed their pursuit of freedom and truth through unrestrained behavior, profound philosophical thinking and artistic lifestyle. Although their resistance was tragic, their spiritual legacy still inspires people's yearning for an independent personality and freedom of thought to this day. Their stories remind us that in the face of autocracy and oppression, people can still safeguard their inner dignity through art and philosophy.

The cultural connotation of the Seven Sages of the Bamboo Grove is to Revere nature and resist the rites and teachings: "Transcending the rites and teachings to follow nature" (Ji Kang) : They opposed the complicated rites and laws of Confucianism and advocated returning to the true state of human beings. Metaphysical speculation and spiritual transcendence: They explore the universe and life through metaphysics. For instance, Ji Kang's "On Health Preservation" discusses how to transcend mundane desires. Xiang Xiu annotated Zhuangzi, attempting to reconcile the contradiction between "nominalism" and "nature". Casual talk has become a way for them to escape reality and pursue spiritual freedom. The aestheticization of art and personality: Ji Kang was good at playing "Guangling SAN" and still played it calmly before his execution. Ruan Xian improved Musical Instruments and was later called "Ruan Xian". Ruan Ji's "Ode to Sentiment" implicitly expresses his concern and indignation towards the current situation. Wine serves as a medium for them to escape reality and express their emotions. For instance, Liu Ling's "Ode to the Virtue of Wine" extols the carefree state of being drunk.

一、河南 · 小竹林民宿

RESIDENTIAL DESIGN

隱居鄉(xiāng)里·小竹林民宿的成功，在于其將傳統(tǒng)文化IP轉(zhuǎn)化為空間語(yǔ)言，并通過精細(xì)化設(shè)計(jì)實(shí)現(xiàn)自然、建筑與人的和諧共生。它不僅是一處住宿場(chǎng)所，更是一種生活方式的提案，為鄉(xiāng)村文旅項(xiàng)目提供了“文化+設(shè)計(jì)+運(yùn)營(yíng)”的全方位參考。在河南省焦作市修武縣大南坡村，它是隱居鄉(xiāng)里入駐河南地區(qū)的在地共生項(xiàng)目，由修武縣美尚文化旅游投資有限公司出資，隱居鄉(xiāng)里負(fù)責(zé)設(shè)計(jì)運(yùn)營(yíng)，是大南坡美學(xué)產(chǎn)業(yè)集群的重要構(gòu)成部分。大南坡以美學(xué)經(jīng)濟(jì)為指引，以文化復(fù)興為基礎(chǔ)，把山村風(fēng)貌、風(fēng)土人情以及歷史文化等資源拓展延伸，發(fā)展出鄉(xiāng)村民宿、鄉(xiāng)野美食、文化創(chuàng)意等核心產(chǎn)品，致力于打造鄉(xiāng)村美學(xué)樣板。目前，大南坡已建成并營(yíng)業(yè)的空間設(shè)施有大南坡藝術(shù)中心、碧山工銷社、方所鄉(xiāng)村文化書店、Localand本地食館等。而小竹林精品民宿以住宿為依托，為大南坡引入城市流量，進(jìn)而形成民宿與村莊經(jīng)濟(jì)綜合發(fā)展的核心組團(tuán)。

The success of the "Hiding in the Countryside · Little Bamboo Forest Homestay" lies in its transformation of traditional cultural ips into spatial language and its realization of harmonious coexistence among nature, architecture and people through meticulous design. It is not merely a place for accommodation, but also a proposal for a lifestyle, providing a comprehensive reference of "culture + design + operation" for rural cultural and tourism projects. In Dananpo Village, Xiuwu County, Jiaozuo City, Henan Province, it is a local symbiosis project of Yinyuxiangli that has settled in Henan Province. It is funded by Xiuwu County Meishang Cultural Tourism Investment Co., Ltd. and designed and operated by Yinyuxiangli. It is an important part of the Dananpo Aesthetic Industry cluster. Guided by aesthetic economy and based on cultural revival, Dananpo has expanded and extended resources such as the mountain village's features, local customs, and historical culture, developing core products like rural homestays, rural delicacies, and cultural creativity, and is committed to creating a model of rural aesthetics. At present, the space facilities that have been built and are in operation in Dananpo include Dananpo Art Center, Bishan Trade Cooperative, Fangsuo Village Cultural Bookstore, Localand Local Restaurant, etc. The Xiaozhulin Boutique homestay, relying on accommodation, introduces urban traffic to the Dananpo area, thereby forming a core cluster for the comprehensive development of homestays and village economy.

小竹林精品民宿是在村民老宅的基礎(chǔ)上改造而來(lái)的。在改造過程中，既保留了老房子的外觀以及傳統(tǒng)院落格局，又融入了諸如藝術(shù)紅磚墻、落地玻璃窗、屋頂露臺(tái)、玻璃茶室等元素。質(zhì)樸清幽的氛圍貫穿于民宿內(nèi)部，它分布坐落在民居之間，與村民的房屋建筑和諧地融合在一起。該民宿的每個(gè)院子均以魏晉時(shí)期“竹林七賢”中的代表人物來(lái)命名，分別是嵇康院、向秀院、阮咸院、山濤院、阮籍院。這一命名方式與修武縣濃厚的“竹林七賢”歷史文化背景相互呼應(yīng)。小竹林精品民宿致力于為所有熱愛鄉(xiāng)村、熱衷于鄉(xiāng)村美學(xué)以及投身鄉(xiāng)村建設(shè)的人士，營(yíng)造一個(gè)能夠使身心得到休憩的世外“小竹林”。

The Xiaozhulin Boutique Homestay was transformed from the old houses of local villagers. During the renovation process, not only the appearance of the old house and the traditional courtyard layout were retained, but also elements such as artistic red brick walls, floor-to-ceiling glass Windows, rooftop terraces, and glass tea rooms were integrated. A simple and serene atmosphere runs through the interior of the homestay. It is scattered among the residential buildings and blends harmoniously with the villagers' houses. Each courtyard of this homestay is named after a representative figure of the "Seven Sages of the Bamboo Grove" during the Wei and Jin Dynasties, namely Ji Kang Courtyard, Xiang Xiu Courtyard, Ruan Xian Courtyard, Shan Tao Courtyard and Ruan Ji Courtyard. This naming method echoes the rich historical and cultural background of the "Seven Sages of the Bamboo Grove" in Xiuwu County. Xiaozhulin Boutique Homestay is dedicated to creating a secluded "Xiaozhulin" where both body and mind can rest for all those who love the countryside, are passionate about rural aesthetics, and are involved in rural development.

二、空間美學(xué)

RESIDENTIAL DESIGN

建筑形態(tài)的坡屋頂與懸挑結(jié)構(gòu)：借鑒傳統(tǒng)民居的坡屋頂形式，結(jié)合現(xiàn)代鋼結(jié)構(gòu)懸挑，形成輕盈的視覺效果，運(yùn)用框景手法，大面積落地窗與鏤空磚墻，將竹林景觀引入室內(nèi)，實(shí)現(xiàn)“借景”效果。禪意茶室的低矮家具、宣紙燈飾，營(yíng)造靜謐氛圍，搭配露天庭院：下沉式火塘、竹編遮陽(yáng)棚，適合夜間圍爐夜話；空間的光影與氛圍營(yíng)造自然采光，天窗、格柵屏風(fēng)引入斑駁竹影，隨時(shí)間變化形成動(dòng)態(tài)光影效果，采用暖色系隱藏式燈帶，避免強(qiáng)光破壞自然氛圍。

The pitched roof and cantilevered structure of the building form: Drawing on the pitched roof form of traditional residential buildings and combining it with modern steel structure cantilevered structures, a light visual effect is created. By using the framing technique, large floor-to-ceiling Windows and hollowed-out brick walls, the bamboo forest landscape is brought into the interior, achieving a "borrowing scenery" effect. The low furniture and Xuan paper lighting fixtures in the Zen-style tea room create a serene atmosphere. Paired with the open-air courtyard: sunken fire pit and bamboo woven sunshade, it is perfect for chatting around the stove at night. The light and shadow and atmosphere in the space create natural lighting. Skylights and grille screens introduce mottled bamboo shadows, which form dynamic light and shadow effects over time. Warm-toned hidden light strips are used to prevent strong light from spoiling the natural atmosphere.

竹材作為核心材料，用于外墻裝飾、家具、燈具，突出在地性；部分墻面采用本土夯土工藝，調(diào)節(jié)室內(nèi)濕度，增強(qiáng)生態(tài)性?；厥绽夏静牧?，利用舊房梁、船木打造家具，賦予空間歷史感。石材的恰當(dāng)植入，使用當(dāng)?shù)厍嗍逵糜阡伒?，與自然環(huán)境渾然一體。

Bamboo, as the core material, is used for exterior wall decoration, furniture and lighting fixtures, highlighting its local characteristics. Some of the walls are made with local rammed earth technology to regulate the indoor humidity and enhance the ecological nature. Recycle old wood materials and use old beams and ship wood to create furniture, endowing the space with a sense of history. The proper implantation of stone materials and the use of local bluestone slabs for paving the ground blend seamlessly with the natural environment.

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