清晨五點，我站在梅里雪山的觀景臺，看著第一縷陽光刺破云層，在卡瓦格博峰的積雪上鍍上金邊。山風裹挾著經(jīng)幡的獵獵聲掠過耳畔，經(jīng)筒轉(zhuǎn)動的吱呀聲從遠處的寺廟傳來，那一刻突然明白，所謂詩意，原是自然與人文在時光里釀出的酒。

去年深秋在婺源，我住在篁嶺山腰的百年老宅里。房東是位七十歲的老人，每天清晨都會背著竹簍去后山采野菊。我跟著她穿過掛滿紅燈籠的曬秋架，看她用布滿老繭的手輕輕掐下帶著晨露的花苞。“這野菊曬好了泡茶，比城里的香。” 她的方言混著笑意，像山間的溪流淌過心頭。午后坐在老宅的天井里，看陽光透過雕花窗欞在青石板上投下斑駁的光影，遠處梯田里的稻浪翻滾著金色的漣漪，偶有村民扛著鋤頭走過，哼著聽不懂的小調(diào)，時光仿佛在這里放慢了腳步。

想起在青海湖畔的那個黃昏，騎著自行車沿湖而行，湛藍的湖水與天空在遠處連成一線，牦牛群在草原上悠閑地啃著草，牧人的帳篷升起裊裊炊煙。夕陽西下時，湖面被染成熔金般的顏色，岸邊的經(jīng)幡在風中舒展，仿佛在訴說著古老的傳說。那一刻，所有關(guān)于生活的焦慮都被湖水滌蕩干凈，只剩下純粹的寧靜與歡喜。

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原來所謂詩與遠方，并非一定要去遙遠的他鄉(xiāng)，而是在平凡的日子里，保有感知美好的能力。就像山間的野菊，無論是否有人欣賞，都自顧自地綻放；就像高原的湖泊，歷經(jīng)歲月滄桑，依舊清澈如初。踏遍山河的意義，或許就是在自然的饋贈里，學會把柴米油鹽的日子，過成帶著草木清香的詩行。