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在民宿設計中，建筑材料的選擇不僅關系到空間的美觀和舒適度，還直接影響民宿的功能性、耐久性和環(huán)保性。民宿作為一種獨特的住宿形式，通常強調個性化、自然感和文化氛圍，因此材料的選擇需要兼顧實用性與美學價值。涵蓋木材、石材、磚材、混凝土、玻璃、金屬、竹材、石膏板、瓷磚和環(huán)保材料等。一、木材：木材是民宿設計中最常見的材料之一，因其自然紋理和溫暖質感，能夠營造出舒適、溫馨的氛圍；木質墻面可以用于局部裝飾或整體覆蓋，適合打造鄉(xiāng)村、田園或北歐風格；木質隔斷、屏風或裝飾品可以為空間增添藝術感。二、石材：石材以其堅固耐用和天然美感，常用于民宿的地面、墻面和室外景觀；石材地板適合用于客廳、餐廳等高流量區(qū)域，具有耐磨、易清潔的特點。石材墻面可以用于局部裝飾，如電視背景墻或壁爐周圍，增加空間的質感。三、磚材：磚材是一種經典建筑材料，常用于民宿的墻面、地面和裝飾；紅磚或灰磚墻面可以用于局部裝飾，適合工業(yè)風格或復古風格，質樸、復古，適合打造懷舊氛圍，易于與其他材料搭配，如木材或混凝土。四、混凝土：混凝土常用于民宿的主體結構，如梁柱或樓梯，可以用于局部裝飾，增加空間的工業(yè)感以及極簡風格的運用。 In the design of homestays, the choice of building materials is not only related to the aesthetics and comfort of the space, but also directly affects the functionality, durability and environmental protection of homestays. As a unique form of accommodation, homestays usually emphasize individuality, natural sense and cultural atmosphere, so the selection of materials needs to balance practicality and aesthetic value. Covering wood, stone, brick, concrete, glass, metal, bamboo, gypsum board, tile and environmental protection materials. First, wood: Wood is one of the most common materials in B&B design, because of its natural texture and warm texture, can create a comfortable and warm atmosphere; Wooden walls can be used for partial decoration or overall coverage, suitable for creating a rural, pastoral or Nordic style; Wooden partitions, screens or decorations can add an artistic touch to a space. Second, stone: stone with its durability and natural beauty, often used in the ground, wall and outdoor landscape of homestays; Stone floor suitable for living room, dining room and other high-flow areas, with wear-resistant, easy to clean characteristics. Stone walls can be used for local decoration, such as a TV background wall or around a fireplace, to add texture to the space. Third, brick: brick is a classic building material, often used in the walls, floors and decoration of homestays; Red brick or gray brick walls can be used for partial decoration, suitable for industrial or retro style, rustic, retro, suitable for creating a nostalgic atmosphere, easy to match with other materials, such as wood or concrete. Concrete: Concrete is often used in the main structure of homestays, such as beams and columns or stairs, and can be used for local decoration, increasing the industrial sense of space and the use of minimalist style.

五、玻璃：以其通透性和現(xiàn)代感，常用于民宿的窗戶、隔斷和裝飾，大面積的玻璃窗可以增加采光，同時將室外景觀引入室內，可以用于劃分空間，同時保持通透感，裝飾的燈具、鏡子或藝術品的制作，增加空間的光影效果。六、竹材：是一種環(huán)保材料，近年來在民宿設計中越來越受歡迎，具有自然的紋理，適合生態(tài)風格民宿，竹材可以用于燈具、屏風或藝術品的制作，增加空間的藝術感，展現(xiàn)空間的生態(tài)以及綠色。民宿建筑材料的選擇需要綜合考慮功能性、美觀性和環(huán)保性。通過合理搭配木材、石材、磚材、混凝土、玻璃、金屬、竹材、石膏板、瓷磚和環(huán)保材料，可以打造出獨具特色的民宿空間，滿足不同風格和需求。

Fifth, glass: with its permeability and modern sense, often used in the Windows, partitions and decoration of homes.Large area of glass Windows can increase lighting, while introducing the outdoor landscape into the interior, can be used to divide the space, while maintaining a sense of transparency, decorative lamps, mirrors or art production, increase the light and shadow effect of the space. Bamboo: It is an environmentally friendly material, which has become more and more popular in B&B design in recent years. It has a natural texture and is suitable for ecological style B&B. Bamboo can be used in the production of lamps, screens or artworks to increase the artistic sense of the space and show the ecology and green of the space. The choice of building materials for homestay needs to consider functionality, aesthetics and environmental protection. Through a reasonable mix of wood, stone, brick, concrete, glass, metal, bamboo, gypsum board, tile and environmentally friendly materials, you can create a unique homestand space to meet different styles and needs.

一、阿那亞 · 隱廬

RESIDENTIAL DESIGN

位于秦皇島黃金海岸的阿那亞隱廬酒店，坐落在一棟五層展翼式建筑內。該酒店的室內設計由PLAT ASIA鄭東賢工作室負責。酒店配備了180間全湯池客房，同時還設有多功能大堂、全日餐廳、宴會廳、SPA理療中心以及冥想室等功能空間。其設計旨在打造一個能夠讓人從城市日常的快節(jié)奏和高密度信息流中抽離出來，進而恢復精神、緩解身心壓力的度假空間。在全湯池酒店，人們能夠獲得身心盡致的體驗；而在茶亭大堂中悠然漫步、停眸駐足，這些美好的瞬間將一場旅宿所帶來的歸屬感，定格在時空的記憶之中。

Located on Qinhuangdao's Gold Coast, Anaya Yinlu Hotel is housed in a five-story wing-style building. The hotel's interiors were designed by PLAT ASIA's Chung Dong-hyun studio. The hotel is equipped with 180 full soup pool rooms, and also has a multi-functional lobby, all-day restaurant, banquet hall, SPA treatment center and meditation room. The design aims to create a holiday space that can allow people to get away from the fast pace and high density of information flow in the city, and then restore the spirit and relieve the physical and mental stress. At Quan Tang Chi Hotel, people can have a full body and mind experience; And in the teahouse lobby leisurely walk, stop looking and stop, these beautiful moments will bring a sense of belonging, fixed in the memory of time and space.

酒店大堂不僅具備基本的通行功能，還特別設置了供人們在園區(qū)外圍休息的空間。設計通過幾盞懸浮的茶亭營造出大堂的度假氛圍，這些茶亭錯落有致地懸掛著，地面鋪滿了石子，溫暖的光線透過墻壁散發(fā)出來。堅硬的石材上“生長”出溫潤的木構，在明暗對比中，兩種天然材料的重量恰到好處，再加上茶亭自然靜謐質樸的氣質。大空間的大堂被不同大小的親人尺度的茶亭所化解并重新構建秩序，形成了一個開放流動、內外轉置的空間體驗以及愉悅有趣的漫步感受。輕盈的茶室和幽靜小巷中的燈盞象征著旅途中的歸屬感，當夜幕降臨時，每盞茶亭內都有親友閑坐交談，燈火可親而安寧。

The lobby of the hotel not only has the basic traffic function, but also has a special space for people to rest in the periphery of the park. The design creates a holiday atmosphere in the lobby through several floating tea booths, which are suspended in an orderly manner, the floor is covered with stones, and the warm light radiates through the walls. The warm wood structure "grows" on the hard stone, and in the contrast of light and dark, the weight of the two natural materials is just right, coupled with the natural quiet and simple temperament of the tea pavilion. The large lobby is dissolved and re-ordered by tea booths of different sizes and scales, forming an open and flowing space experience with internal and external transposition and a pleasant and interesting walking experience. Light teahouses and quiet alleys symbolize the sense of belonging in the journey. When night falls, each teahouse has friends and relatives sitting and talking, and the lights are friendly and peaceful.

二、空間美學

RESIDENTIAL DESIGN

庭院套房中單獨設置的湯池空間，既能夠向室內外同時開放，讓住客可以打開隔斷，連通私人庭院，享受戶外泡湯的樂趣；也可以閉合隔斷，在室內悠然地享受私密的泡湯時光。在大湯池中，人與水的親密接觸放大了感官上的體驗。而客房里異形的大吧臺，也在空間認知慣性上給人帶來了新意。設計師巧妙地利用建筑斜向立面所產生的不規(guī)則空間來設置大吧臺，營造出一種非日常的度假氛圍。室內空間采用純粹的原木色界面，墻面設計去除了中心感，遵循減法裝飾原則，不僅在物理感知上留有余白，還能容納精神的發(fā)散。

The separate pool space in the courtyard suite can be opened to both indoor and outdoor, allowing guests to open the partition, connect with the private courtyard, and enjoy the fun of outdoor soup; You can also close the partition and enjoy the private time in the room. In the large soup pool, the intimate contact with the water amplifies the sensory experience. The large bar in the guest room also brings new ideas to people in the inertia of spatial cognition. The designer cleverly uses the irregular space created by the building's oblique facade to create a large bar, creating a non-daily holiday atmosphere. The interior space uses a pure wood color interface, the wall design removes the sense of center, and follows the principle of subtraction decoration, which not only leaves more white in physical perception, but also accommodates the divergence of spirit.

在設計中，遵循東方美學的共性，對光與自然生機進行細膩感知，并考量空間生命周期的永續(xù)性。通過簡練的材料運用，營造出空間的雅致與勻融。餐廳影壁采用木格柵設計，隔而不透，吊頂以簡單的幾何塊面延伸出空間的垂直感。宴會廳內，柵格木板豎列有序，既具有韻律感，又能掩匿設備、吸收隔音。宴會廳前廳天花使用更大塊面的格柵條組合，豐富了空間的視覺變化。茶亭木架由纖細的檁條支撐，呈現(xiàn)出光膜的呼吸感。客房墻面由木框塊面組成，既跳脫平白，又呼應公共空間的幾何與材料語言。自然光透過落地窗涌入室內，餐廳視野開闊，與室外相連；宴會廳前廳可望見樹林枝冠，室內外風景被自然的生機所銜接。

In the design, following the commonality of Eastern aesthetics, the light and natural vitality are sensitised, and the sustainability of the space life cycle is considered. Through the use of simple materials, the space is elegant and smooth. The screen wall of the restaurant is designed with a wooden grating, which is not transparent, and the suspended ceiling extends the vertical sense of the space with a simple geometric block surface. In the banquet hall, the grid boards are vertically arranged in order, which not only has a sense of rhythm, but also can hide the equipment, absorb and soundproof. The lobby ceiling of the banquet hall uses a larger grille bar combination to enrich the visual changes of the space. The tea pavilion wooden frame is supported by thin purlins, presenting a light film breathing feeling. The wall of the guest room is composed of wooden framed block surfaces, which not only escapes the plain white, but also echoes the geometric and material language of the public space. Natural light pours in through floor-to-ceiling Windows, allowing the restaurant to open up and connect with the outside; The front hall of the banquet hall can be seen the forest branch crown, and the indoor and outdoor scenery is connected by the vitality of nature.

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