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2025年6月14日（周六）- 6月30日（周一）

VIP開幕：2025年6月14日（周六）

14:00 - 17:00

June 14 (Saturday) - June 30 (Monday), 2025

VIP Opening: Saturday, June 14, 2–5 p.m.

@索美M50畫廊

@Suomei M50 Gallery

上海市普陀區(qū)莫干山路50號4號樓105室

Room 105, Building 4, No. 50 Moganshan Road

Putuo District, Shanghai

藝術(shù)家 / 騁妍CY

策展人 / 黃又宇

Artist / CY

Curator / Youyu HUANG

/ ARTIST /

?? 騁妍CY ??

中國青年藝術(shù)家

1994年出生于上海

2013年畢業(yè)于上海視覺藝術(shù)學(xué)院油畫系

騁妍CY以「波兒樂」(Bo'er Le)為核心創(chuàng)作IP，構(gòu)建了一個充滿浪漫能量的藝術(shù)宇宙她的作品以極具辨識度的夢幻色彩和奔放筆觸為語言，在畫布上演繹著關(guān)于自由與靈性的視覺詩篇。馬作為「波兒樂」世界的重要載體，既延續(xù)了中國傳統(tǒng)文化中的祥瑞象征，又被賦予當(dāng)代性的精神解讀--那些閃耀著精靈般光芒的駿馬，實則是藝術(shù)家內(nèi)心世界的投射，傳遞著對生命熱力的禮贊。 在藝術(shù)理念上，她深受《樂記》「成于樂」的啟發(fā)，將高飽和度色彩轉(zhuǎn)化為傳遞「宇宙能量波」的媒介。每一幅作品都是「波兒樂」能量的具象化呈現(xiàn)，通過色彩間的擠壓、碰撞與融合，形成獨特的視覺振動頻率·這種創(chuàng)作不僅是對藝術(shù)本體的探索，更構(gòu)建了一個連接創(chuàng)作者與觀者的能量場域。「愿每個'波兒樂'都能遇見它的伯樂」--這句創(chuàng)作箴言，既是對知音相遇的期許，也暗喻著藝術(shù)作為精神載體的永恒價值。

她現(xiàn)活躍于多領(lǐng)域，作為小馬寶莉官方合作藝術(shù)家、漫威卡牌系列合作藝術(shù)家、湯顯祖戲劇交流月大使、五星體育官方合作藝術(shù)家（文化潤疆）、保時捷官方合作藝術(shù)家等多重身份為人熟知。

Artist, Painter from China

Born in 1994 in Shanghai

Graduated from the Oil Painting Department of

Shanghai Institute of Visual Arts in 2013

CY has developed "Bo'er Le" as her signature artistic lP, creating a romantic universe charged with vibrant energy. Her distinctive visual language combines ethereal cololpalettes with expressive brushwork, weaving visual poetry about freedom and spirituality. The horse motif, as a key vehicle of the "Bo'er Le" world, not only continues the auspicious symbolism in Chinese tradition but also receives a contemporary spiritual interpretation-those steeds glowing with ethereal radiance are in fact projections of the artist's inner world, celebrating the vitality of life. Grounding her practice in the Confucian concept of "self-cultivation through art" from Yue Ji, CY transforms high-saturation colors intomediums for transmitting "cosmic energy waves." Each artwork materializes the essenceof "Bo'er Le" energy, generating unique visual vibrations through chromatic tension anaharmony. This creative approach not only explores artistic ontology but also constructsan energetic feld connecting creators and viewers. "May every 'Bo'er Le' fnd its destined appreciator"-this artistic credo expresses both the hope for meaningful encounters anathe eternal value ofart as a spiritual vessel.

She is currently active in multiple fields and is well-known for her various roles, including being an official collaborating artist forMy Little Pony, a collaborating artist for theMarvelcard series, an ambassador for theTang Xianzu Drama Exchange Month, an official collaborating artist forFive Star Sports(Cultural Enrichment of Xinjiang), and an official collaborating artist forPorsche.

△「埃及女王：光華 / Cleopartra: Glorious Time」

120 × 120cm / 布面丙烯 Acrylic on Canvas

2025

?? 波兒樂的加冕儀式 ??

騁妍的畫筆從不馴服于規(guī)訓(xùn)。在她的「波兒樂」宇宙里，色彩是爆發(fā)的能量波，馬匹是自由的量子態(tài)，而女性——那些頭戴冠冕或荊棘的公主與女王——則是穿越維度的敘事者。此次展覽并非對「女性力量」的簡單謳歌，而是一場用顏料解構(gòu)符號的視覺起義。

當(dāng)高飽和度的玫紅與鈷藍(lán)在畫布上相互擠壓，當(dāng)馬匹的鬃毛融化成液態(tài)的星光，我們看到的不是被浪漫化的脆弱美學(xué)，而是色彩暴動中誕生的新神話體系。騁妍將「波兒樂」塑造成一位手持調(diào)色盤的女祭司：她可以是尼羅河畔以眼影為權(quán)杖的克利奧帕特拉，可以是掙脫束腰、策馬馳騁的茜茜公主，也可以是身披彩虹勛章、凝視未來的伊麗莎白二世。那些看似夢幻的粉紫色調(diào)下，隱藏著顏料刀刮出的鋒利痕跡——正如歷史中每位女王并存的光輝與裂痕。

「Queen Me」源自國際象棋術(shù)語，當(dāng)卒子抵達(dá)底線時獲得的升變權(quán)利。展覽中的每一幅作品都是這場儀式的見證：埃及艷后的金蛇頭飾在丙烯中熔解重組，茜茜公主的裙擺化作流動的星云，英女王的柯基犬與賽馬在色塊中完成超現(xiàn)實對話。騁妍用熾熱的筆觸提醒我們：真正的加冕從來不需要王座，只需要在色彩維度中無限展開的自由意志。

此刻，請放任視網(wǎng)膜接收這些跳躍的宇宙能量波。當(dāng)波兒樂世界的克利奧帕特拉手持調(diào)色盤而非毒蛇，當(dāng)茜茜公主的馬鞍變成彩虹橋梁，當(dāng)白金漢宮的陽臺被重構(gòu)為色域劇場——你會發(fā)現(xiàn)，所謂權(quán)力與浪漫，不過是同一光譜的兩極折射。

騁妍的創(chuàng)作暗號始終清晰：

「愿每個波兒樂都成為自己的伯樂」

但在此次展覽中，這句話或許該被重寫為——

「每個波兒樂，都已是自己的女王」

△「埃及女王：蛇舞 / Cleopartra: Femme Fatale」

100 × 100cm / 布面丙烯 Acrylic on Canvas

2025

?? The Coronation of Bo’erle??

CY’s brush never submits to convention. In her "Bo’erle" universe, colors are explosive energy waves, horses are quantum states of freedom, and women—those crowned princesses and queens adorned with diadems or thorns—are narrators traversing dimensions. This exhibition is not a simplistic ode to "female power," but rather a visual uprising that deconstructs symbols through pigment.

When high-saturation magentas and cobalts collide on canvas, when horses’ manes dissolve into liquid starlight, what we witness is not a romanticized fragile aesthetic, but a new mythological system born from chromatic rebellion. CY shapes "Bo’erle" into a high priestess wielding a palette: she could be Cleopatra commanding the Nile with kohl-rimmed eyes, Empress Sisi galloping free from corseted constraints, or Elizabeth II cloaked in rainbow regalia, gazing into the future. Beneath the seemingly dreamlike pastel hues lie the sharp, knife-carved textures—just as every queen in history balances radiance and fracture.

"Queen Me" derives from the chess term *queening*, where a pawn reaching the board’s edge claims its right to transform. Each artwork here bears witness to this rite: Cleopatra’s golden serpent crown melts into acrylic abstraction, Sisi’s crinoline billows into interstellar nebulae, and the Queen’s corgis race surreal steeds across color fields. Chengyan’s almost violent strokes remind us: true coronation requires no throne, only the free will to expand infinitely across chromatic dimensions.

Now, let your retina absorb these leaping cosmic waves. As Bo’erle’s Cleopatra wields a palette instead of an asp, as Sisi’s saddle arcs into a prismatic bridge, as Buckingham’s balcony recomposes into a theater of hues—you’ll realize that power and romance are but two refractions of the same spectrum.

CY’s creative cipher remains clear:

"May every Bo’erle find their *Bole* (discerning eye)."

Yet for this exhibition, it might be rewritten—

"Every Bo’erle is already sovereign."

△「茜茜公主：星曜 / Sisi: Glare of the Stars」

100 × 100cm / 布面丙烯 Acrylic on Canvas

2025