2022年9月24日,展覽《繪畫的故事》在廈門博樂德藝術(shù)品保稅共享平臺(tái)開幕。此次展覽由朱彤先生擔(dān)任策展人，共展出22位中國(guó)當(dāng)代重量級(jí)藝術(shù)家的40余件作品。

The exhibition The Story of Painting was held at Blanc Sharing Bonded Art Platform on September 24, 2022. This exhibition, which was curated by Mr. Zhu Tong, presents more than 40 artworks by 22 leading contemporary Chinese artists.

展覽《繪畫的故事》嘗試用一種不同的敘事方式，來梳理過去與當(dāng)下在歷史河流之中的交匯與分支。藝術(shù)的媒介在不斷地革新，社會(huì)思潮涌入各個(gè)學(xué)科，交叉并相互影響，繪畫也在藝術(shù)內(nèi)部的系統(tǒng)中不斷地“迭代”，面對(duì)層出不窮的藝術(shù)家被藝術(shù)史“歸納”和“書寫”，我們或許可以帶著批判的角度來看待，抑或提出新的敘事方式以及歸納出新的方法論。

The exhibition The Story of Painting attempts to use a different way of narrative to sort out the intersection and branch of the past and the present throughout history. The medium of art is constantly innovating, social thoughts are pouring into various disciplines while intersecting and influencing each other, and painting is also constantly "iterated" in the internal system of art. In the face of endless artists being "inducted" and "written" by art history, we may look at it from a critical perspective, or propose new narrative methods and generalizations.

“繪畫的故事”，其實(shí)是關(guān)于藝術(shù)家，甚至是畫家作為個(gè)體的記敘史。它是這樣一種方式：既不以時(shí)間為分界，也不以思潮為合流。這種敘事方式籍由此展覽，來梳理、記錄每一個(gè)藝術(shù)家不同的生長(zhǎng)路徑和藝術(shù)思考過程在整個(gè)線性歷史當(dāng)中的呈現(xiàn)。我們借由觀看圖像的方式，去理解藝術(shù)家們的不同創(chuàng)作時(shí)期，以及其生產(chǎn)出的圖像（繪畫）與現(xiàn)實(shí)社會(huì)、藝術(shù)家個(gè)體的諸多關(guān)聯(lián)。

“The Story of Painting” is actually about the artists or even a narrative history of individual painters. It is such a way neither divided by time nor converging on social thoughts. By this exhibition, the narrative sorts out and records the presentation of the different growth paths and artistic thinking processes of each artist in the entire linear history.We can understand the different creating periods of the artists and the many connections among the images (paintings) created by them, the real society and the artists themselves through our ways of viewing.