▲《玉樹瓊花》

布面油畫

53×45.5cm

2025年

鋪一層大調子

一層又一層

堆疊

擠壓

磨挲

揉搓

走近 退遠

直至物色隱現

密度里隱藏著時間

體塊中推衍著空間

融合

凝固

一片單純

如此靜穆

積厚成器 殊堪玩味

碌碌如玉 珞珞如石

有匪君子 且琢且磨

有匪君子 共相切磋

▲《和樂生財》

布面油畫

51×60.5cm

2025年

“骨曰切，象曰磋，玉曰琢，石曰磨；切磋琢磨，乃成寶器。” ——東漢王充《論衡·量知篇》

從日常生活的“有格之物”到近來的新作，孫遜延續著很好的創作狀態，且投入了更大的工作量，有一種反復琢磨、深挖細掘的玩味勁。

▲《珊瑚樹》

布面油畫

60×50cm

2025年

這種玩味首先是題材的選擇與意義的錯置。民間戲人、戲臺及垂幔幕布，幽然而艷麗，在時光的淘洗汰變中、在擠壓平疊的空間里，依然透出直面逼視的魅力，亦古亦今，大戲一直在上演。古物珍寶光彩熠熠，招財寶船寓意吉祥，盆花奇石文人幽賞，亦雅亦俗，顯然都是好物件，但當抽離現實語境，尺寸與背景加以變換，色層積疊微妙，色域對比鮮明，此物為何物？大可琢磨。

▲《金枝兒》

布面油畫

61×46cm

2025年

孫遜的“琢磨”既是創作狀態與生活感受的自然流露，更是藝術語言本體的自覺錘煉。凝厚是油畫材質之美，但當流動而持續的時間滲入其間，個體的感悟進一步催化發酵，它們相互交織、進退沉浮，呈現出的是真實重塑還是幻象顯影？是存在的必然還是偶發的機緣？不宜言說，唯可確定的是，孫遜樂在其中。

厚植根柢,養蓄大器，斯謂之君子乎？

“且琢磨”！

鄧鋒

2025年3月1日

▲《藍幕之一》

布面油畫

41×53cm

2025年

Contemplate & Create

Sun Xun Solo Exhibition

Scraping

Laying a grand tone

Layer upon layer

Stacking

Compressing

Rubbing

Kneading

Approaching, retreating

Until forms emerge from the haze

Time concealed within density

Space unfolding within mass

Fusing

Solidifying

A realm of simplicity

So solemn

Accumulated depth becomes a vessel, ripe for contemplation

Jade-like in labor, stone-like in austerity

The noble scholar carves and polishes

The noble scholar hones through shared deliberation

▲《戲臺》

布面油畫

41×53cm

2025年

“Bones are cut, ivory is filed, jade is carved, stone is polished; through cutting, filing, carving, and polishing, precious vessels are formed.”—Wang Chong, Lunheng·Liangzhi Pian (Eastern Han Dynasty)

From the “objects of grace” in daily life to his recent works, Sun Xun maintains a vibrant creative state, investing greater effort into a process of deliberate refinement—digging deep, savoring every nuance.

▲《扮薛仁貴的老孔和演王寶釧的牛姐》

布面油畫

275×183cm

2025年

This refinement begins with the choice of subject matter and the subversion of meaning. Folk opera figures, stages, and draped curtains, haunting yet vivid, endure the erosion of time and the compression of layered spaces, retaining their piercing allure. They bridge past and present, as the grand play forever unfolds. Ancient treasures shimmer with splendor; auspicious treasure ships brim with symbolism; scholar’s rocks and potted flowers evoke literati contemplation. These objects straddle the line between elegance and mundanity, yet when stripped of their original context, rescaled, and recontextualized with subtle chromatic layers and stark contrasts—what are they? A riddle to ponder.

▲《大寶船》

布面油畫

275×320cm

2025年

Sun Xun’s “Contemplate & Create” is both an organic outpouring of his creative ethos and lived experience, and a disciplined sharpening of artistic language itself. The material beauty of oil paint lies in its density, yet when flowing, persistent time seeps into its layers, catalyzing personal reflections that intertwine, rise, and fall. Is this a true reshaping or an illusion’s revelation? A necessity of existence or a stroke of serendipity? Words falter. What is certain is Sun Xun’s joy in the act itself.

To nurture roots and cultivate greatness—is this not the essence of nobility?

“Contemplate & Create!”

Deng Feng

March 1, 2025

《且琢磨—孫遜個展》

Contemplate & Create

——Sun Xun Solo Exhibition

藝術家：孫遜

Artist：Sun Xun

學術主持：鄧鋒

Academic support：Deng Feng

主辦單位：橋藝術空間

Organizer：Art Bridge Gallery

開幕時間：2025年3月1日 下午3:00

Opening：Marh.1,2025 at 3:00 p.m

展覽時間：2025年3月1日—2025年3月30日

Exhibition Date：Marh.1,2025 — Marh.30,2025

展覽地點：北京798藝術區D09-1 橋藝術空間

Venue：D09-1,798 Art Zone,Beijing,Art Bridge Gallery

媒體支持：藝術中國/Hi 藝術/藝厘米/騰訊新聞/今

日頭條

Media：art.china.cn /hiart space /artcm /qq.com /toutiao.com

關于藝術家

About Artist

孫 遜Sun Xun

1970 出生于貴州省麻江縣；

1990 畢業于中央美術學院附中；

1994 畢業于中央美術學院油畫系一畫室，獲學士學位。

1996 畢業于中央美術學院油畫系，師從靳尚誼先生，獲碩士學位；任教于中央美術學院附中；

2004 結業于中央美術學院首屆油畫高級研修班；任中央美術學院附中常務副校長；

2007 畢業于中央美術學院，師從靳尚誼、邵大箴先生，獲首屆實踐類博士學位；

現任教于中央美術學院油畫系，教授，博士生導師。中國油畫學會理事，藝委會委員。

1970Born in Majiang County, Guizhou Province, China.

1990Graduated from the Affiliated High School of the Central Academy of Fine Arts (CAFA).

1994Graduated from the Oil Painting Department (Studio One) of the Central Academy of Fine Arts (CAFA), earning a Bachelor’s degree.

1996Received a Master’s degree from the Oil Painting Department of CAFA under the mentorship of Jin Shangyi. Began teaching at the Affiliated High School of CAFA.

2004Completed the first Advanced Oil Painting Research Program at CAFA. Appointed Executive Vice Principal of the Affiliated High School of CAFA.

2007Earned a Ph.D. (Practice-based) from CAFA under the guidance of Jin Shangyi and Shao Dazhen.

Current PositionsProfessor and Doctoral Supervisor at the Oil Painting Department of CAFA; Council Member and Academic Committee Member of the China Oil Painting Society.