當我和你一起穿過田野來到河畔

我看到的河流更美麗

坐在你身邊看云

我看的更清楚

你不曾把自然從我這里帶走

你不曾改變自然對我的意義

你使自然離我更近了因為你的存在

我看見它更美好

—佩索阿·【擁有你以前】

「和光同塵，靜享歲月」

家，承載著我們的情感紐帶與親密關系，更是我們在喧囂世界中最后一道堅實防線。設計，是規劃之初盡顯專業素養，在落成過程中確保嚴格可控，竣工之際則仿若渾然天成，悄然退隱設計痕跡，將生活歸還于自然天成之境。“和光同塵，靜享歲月”，這句話出自《道德經》，意思是不露鋒芒，與世無爭，與光和塵融為一體。一種寧靜、平和的生活氛圍，讓人在忙碌的生活中找到內心的寧靜，享受歲月的美好。

Home, carrying our emotional bonds and intimate relationships, is also our last solid line of defense in the noisy world. Design is the manifestation of professional competence at the beginning of planning, ensuring strict controllability during the completion process, and at the time of completion, it appears as if it is naturally formed, quietly fading away the traces of design and returning life to its natural state. The phrase 'share the same dust with light, enjoy the peaceful passage of time' comes from the Tao Te Ching, meaning not to show one's sharpness, to be at peace with the world, and to merge with light and dust. A peaceful and tranquil living atmosphere that allows people to find inner peace amidst busy lives and enjoy the beauty of time.

The fireworks on earth are as usual, and all things are illuminated by light;

The place where light shines in is the place of life.

整個空間通過設計梳理，勘測現場、觀察內外環境采光，圍繞“光”與“雅”去構建空間秩序，和材質細節遞進氛圍。

The entire spatial design constructs a spatial order around "light" and "elegance" by surveying the site, observing the inside and outside, and progressively creating an atmosphere with material details.

【戶型結構梳理】

結構上調整我們的行走樓梯鏈接自然光線，通過多空間的交互讓曾經黑暗封閉的負樓層成為沐光之所，瑜伽、運動，娛樂觀影，回家儀式感，外入戶的退讓儀式，內部的收納分區……讓家于功能里美麗。

Structurally adjusting our walking stairs to connect with natural light, through the interaction of multiple spaces, we turn the once dark and enclosed negative floor into a place for bathing in light. Yoga, exercise, entertainment, movie watching, homecoming ceremony, retreat ceremony for outdoor entry, internal storage partition... make the home beautiful in function.

上下滑動瀏覽平面布置圖

因為改善了負樓層光照，就釋放出一層的廚餐區移到有光的負一層，讓我們的一層成為獨立開闊的家人共享時光的美麗起居廳，設置的水吧小餐區更是妥帖了每層樓的日常。

Because the lighting on the negative floor has been improved, the kitchen and dining area on the first floor has been moved to the bright negative floor, making our first floor a beautiful living room for families to share time independently and openly. The water bar and small dining area set up on each floor is even more suitable for daily life.

二層巧融合陽臺露臺，讓老人和兒子各安其所，還釋放出了與一層的交互挑高空間。三層隨著流暢的樓梯拾級而上，大幅的窗可觀江景，也打造出一處靜坐閱讀區。

The second floor cleverly integrates balconies and terraces, allowing the elderly and son to settle down in their own places, and also releasing the interactive elevated space with the first floor.Ascending the third floor with a smooth staircase, the large windows offer a panoramic view of the river and create a quiet reading area;

設計師空間留影

自然、優雅、藝術

舒適、健康、實用

是嶺眾聯合-田艾靈設計的平衡空間美學法則。

去觀察空間自身特性，傾聽居者需求，創造空間與人的美好鏈接，成為未來之夢想居所留在人們身邊——是田艾靈想要給予業主朋友的。

嶺眾聯合-田艾靈設計

創意就是創造空間與人的記憶

用泛藝術化的設計理念

構造自然、藝術、優雅的平衡空間美學

01. ART ELEGANCE

Elegant, harmonious, refined, balanced and comfortable

整個空間追求自然寫意純凈之感，細砂的整體墻面鋪陳全屋的質感底色；精細的雕刻柱托勾勒出細節的精致，特殊形體量體裁衣的柱形區分拉出空間迂回里開闊通透感；木色的遞進轉換、天然石材的細膩變化……在大空間里書寫層次。

The entire space pursues a natural, freehand, and pure feeling, with fine sand walls covering the texture and background of the entire house; Fine carved column supports outline the exquisite details, and the specially tailored column shapes distinguish the space and create a sense of openness and transparency; The progressive transformation of wood color, the delicate changes of natural stone... Write layers in a large space.

以純白的基調為整體的背景，以原始的硬裝材質造型細節，來烘托出軟裝的精致材質細節，清透干凈的棉麻質地窗簾將光線很好地引入室內，與花園景色相互融合，在干凈空間的襯托下引景入畫，借戶外景色與生活互動為空間添彩。在布置的視覺層次上，著重展現界面的和諧與統一，微風襲來，搖逸的樹葉光影綽綽，讓光、景與室內過渡至最佳狀態，讓在空間的人感受到和光同塵、如沐春風的感受。

The overall background is based on a pure white tone, and the exquisite material details of the soft furnishings are highlighted by the original hard furnishings. The clear and clean cotton and linen curtains bring light into the interior, blending with the garden scenery. Against the backdrop of a clean space, the scenery is drawn into the painting, adding color to the space through the interaction between outdoor scenery and life. On the visual level of the layout, emphasis is placed on showcasing the harmony and unity of the interface. The gentle breeze blows and the swaying leaves create a graceful light and shadow, allowing the light, scenery, and interior to transition to the best state, allowing people in the space to feel like they are in the same dust as light and basking in the spring breeze.

02. ART

Artistic innovation explores aesthetic value and cultural attributes

色彩肌理感的地毯承接了空間中硬裝與軟裝的銜接作用，將地磚的不規則色塊巧妙的融入到地毯中，通過色彩的變化過渡到家具當中。直排沙發配雙人位和單人位的沙發設計，材質肌理與花紋的相互點綴融合，輕透感的燈具材質在空間中通過材質肌理變化顯得精致而熠熠生輝，形成空間主要的社交場地，滿足了一家三代的不同使用需求。實現人、空間、自然的和諧共生。

The carpet with a sense of color texture connects the hard and soft furnishings in the space, cleverly incorporating the irregular color blocks of the floor tiles into the carpet and transitioning into the furniture through color changes. The design of the straight sofa with double and single seats, combined with the mutual embellishment of material texture and pattern, can blend together. The light and transparent lighting material appears exquisite and shining in the space through material texture changes, forming the main social venue of the space and meeting the different usage needs of a family of three generations.Realize the harmonious coexistence of people, space, and nature.

餐廚區域的布局運用回游式環形路徑與全開放式廚房島臺無界理念相融，圓餐桌的材質延續了客廳中的材質肌理，優雅的曲線餐椅造型與Visual Comfort的分子燈融合呈現出精致優雅的氛圍，彰顯居住者的高雅品味。

The layout of the dining area combines a circular path with the concept of a fully open kitchen island without boundaries. The material of the round dining table continues the texture of the living room, and the elegant curved dining chair shape blends with the molecular lamp of Visual Comfort to present a refined and elegant atmosphere, highlighting the elegant taste of the residents.

03. NATURE

The natural internal and external interaction

of light captures the qualitative temperature

軟陳用中性低飽和色融進大空間，棉麻和紋理在品質里書寫，不多不少達到“增之一分則太長，減之一分則太短；著粉則太白，施朱則太赤”的恰到好處。

Soft Chen blends neutral and low saturation colors into a large space, while cotton, linen, and texture are written in quality, achieving the perfect balance of "adding one part too long, subtracting one part too short; applying powder makes it too white, applying vermilion makes it too red".

進入玄關儀式感的主臥，實木細節的轉折間，讓歲月在此閑雅中浪漫，自然光緩緩斜入，釋放一切的疲憊……

Entering the master bedroom with a sense of ceremony in the entrance, amidst the twists and turns of solid wood details, let time be leisurely and romantic here. Imagine the weekend light slowly slanting in, releasing all exhaustion

后記

關于再次選擇的小故事

業主朋友是再一次的選擇我們，之前他們在北京工作生活，委托田艾靈完成了他們在重慶的上一個家、入住后非常滿意。當他們購置了這次的家宅后理所當然再次找到我們，但因為別墅體量的構建設計和落地工作量大，和之前多年的花園洋房設計費比多了不少，他們決定先找一家設計費低很多的，但是施工落地還是會找我們執行更放心。待半年之后，業主朋友回來了，本以為是商量施工落地的事情，結果告訴我們：“折騰了半年，選的那一家公司設計每交流一次就焦慮一次，完全沒有上一次和你交流的舒暢放心，我決定了以我余生之年就當為每年投資一萬的幸福價值買單，你的設計費值得。”

最終將設計、全案全權委托給我們，并不斷的被表揚、留下不少讓我們被激勵的記錄，分享一二

在此，衷心感謝業主一家在整個過程中給予的全權信任，以及在居住期間所給予的愉悅反饋。

Here, we sincerely thank the homeowner's family for their full trust throughout the entire process and for the pleasant feedback they provided during their stay.

項目信息

Information

項目地址 | 新江與城 · 天越

Project Location：Xinjiangyucheng ·Tianyue

項目設計機構 | 嶺眾聯合-田艾靈設計

Design Company：Elin Imperial Institute of Design

藝術總監 | 田艾靈

Artist Director：Erin Tian

主案設計師 | 田艾靈

Chief Design：Erin Tian

項目類型 | 全案設計

Project Type | Full Case Design

軟陳設計及產品 | 桓墅空間藝術設計機構

Decoration Design：HERTRUE ART DESIGN

施工單位 | 十二分裝飾

Construction Unit：PERFECT DECORATION

攝影團隊 | 邊界人攝影

Photography Team：BIJISPACE

田艾靈 （Erin Tian）

嶺眾聯合-田艾靈設計

設計主理人｜藝術總監

Elin Imperial Institute of Design

Design Manager｜Art Director

十二分空間設計&桓墅軟裝藝術

創始人 | 藝術總監

PERFECT DECORATION&HERTRUE ART DESIGN

Founder｜Art Director

泛藝術化設計理念，由田艾靈提煉而出：不以具體風格論來構思設計思路起點的空間設計理念。

它主要表現為把中西、古今的藝術經典，借用設計技術語言，運用進入實用空間設計里；消融藝術與人們實際生活影響的絕對界限，保留藝術不用很多語言就能觸動情緒的基本精神氣質，追求不隨潮流迭代的審美持久性，構建當代人與空間環境更直接的感官關聯觸達。做真正為人所能順暢使用，引起藝術、情緒共鳴的設計！

The pan-artistic design concept is refined by Tian Ailing: a space design concept that does not use specific style theory to conceive the starting point of design ideas.

It mainly manifests itself in incorporating Chinese and Western, ancient and modern art classics into practical space design by borrowing the language of design technology; dissolving the absolute boundaries between art and people's actual life, retaining the basic spiritual temperament of art that can touch emotions without using many words, and pursuing The aesthetic durability that does not follow the iteration of trends builds a more direct sensory connection between contemporary people and the spatial environment.Make designs that can truly be used smoothly by people and arouse artistic and emotional resonance.

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