“非物質(zhì)文化遺產(chǎn)與可持續(xù)發(fā)展”

2024-2025網(wǎng)絡(luò)研討會(huì)系列【第2講】

講座題目

Nomination Videos as Archives of Cultural Continuity and Transformation: Framing Sustainable Development in ICH Nomination Videos of the 2003 Convention

作為文化連續(xù)與轉(zhuǎn)型檔案的提名視頻：在2003年公約的ICH提名視頻中構(gòu)建可持續(xù)發(fā)展

講座時(shí)間

2025年1月23日 21:00-23:00（北京時(shí)間）

主講人簡(jiǎn)介

Jiyun (June) Zhang is a PhD in cultural heritage studies and an independent animation filmmaker. She works as a research associate for the UNESCO Chair on Critical Heritage Studies and the Safeguarding of Intangible Cultural Heritage in Brussels Heritage Lab and as a post-doctoral researcher in the ARCHES research group in the University of Antwerp. Current research projects: comparative study of ICH nomination videos, audiovisual interpretation and representation of ICH, media archaeology, and shamanistic expressions of groups in northern China.

June Zhang，文化遺產(chǎn)研究博士，兼獨(dú)立動(dòng)畫電影制作人。目前擔(dān)任聯(lián)合國(guó)教科文組織布魯塞爾遺產(chǎn)實(shí)驗(yàn)室關(guān)鍵遺產(chǎn)研究與非物質(zhì)文化遺產(chǎn)保護(hù)教席的研究助理，以及安特衛(wèi)普大學(xué)ARCHES研究小組的博士后研究員。當(dāng)前研究項(xiàng)目包括非物質(zhì)文化遺產(chǎn)提名視頻比較研究、非物質(zhì)文化遺產(chǎn)的視聽解讀與表現(xiàn)、媒體考古學(xué)，以及中國(guó)北方群體的薩滿教表達(dá)。

主要內(nèi)容

As the world recognizes culture—especially Intangible Cultural Heritage (ICH)—as a vital component in sustainable development, the 2003 Convention takes on a pivotal role, promoting practices that align with the 2030 Agenda and foregrounding a participatory approach. However, questions remain: to what extent do local communities, groups, and individuals (CGIs) actively engage? How effectively does ICH intersect with sustainable development goals (SDGs)? Additionally, the expanding global media landscape accelerates cultural exchanges, generates new forms of digital mediation in heritage-making, and shapes perceptions of reality. In this context, UNESCO faces a growing challenge in managing and interpreting its vast, complex audiovisual archive of ICH.

隨著世界將文化——尤其是非物質(zhì)文化遺產(chǎn)（ICH）——視為可持續(xù)發(fā)展的重要組成部分，2003年公約扮演著關(guān)鍵角色，推動(dòng)著與2030年議程相一致的實(shí)踐，并強(qiáng)調(diào)參與性方法。然而，問題依然存在：地方社區(qū)、群體和個(gè)人（CGIs）的積極參與程度如何？非物質(zhì)文化遺產(chǎn)與可持續(xù)發(fā)展目標(biāo)（SDGs）的交叉效果如何？此外，全球媒體景觀的擴(kuò)大加速了文化交流，產(chǎn)生了遺產(chǎn)制作中新的數(shù)字媒介形式，并塑造了對(duì)現(xiàn)實(shí)的感知。在這一背景下，聯(lián)合國(guó)教科文組織在管理和解讀其龐大、復(fù)雜的非物質(zhì)文化遺產(chǎn)視聽檔案方面面臨越來越大的挑戰(zhàn)。

This webinar addresses these questions by examining UNESCO’s operational audiovisual archives of ICH nomination videos. By analyzing submissions from China, Turkey, and Japan, we investigate how these videos reflect the ambitions of the 2022 Mondiacult strategy to enhance culture’s role in long-term sustainability. Applying insights from media archaeology, we will discuss how these videos document and reframe heritage to address both present and future SDG-related themes, particularly around CGI participation. This session offers a nuanced perspective on how safeguarding ICH can serve as a dynamic force for sustainable development, blending tradition with aspirations for a resilient, inclusive, and sustainable future.

本次網(wǎng)絡(luò)研討會(huì)將通過觀看聯(lián)合國(guó)教科文組織的非物質(zhì)文化遺產(chǎn)提名視頻操作檔案的方式來探討上述問題。通過分析來自中國(guó)、土耳其和日本的提交材料，我們探究這些視頻如何反映2022年Mondiacult戰(zhàn)略對(duì)于增強(qiáng)文化長(zhǎng)期可持續(xù)作用的決心。從媒體考古學(xué)的視角來看，我們將討論這些視頻如何記錄和重新構(gòu)建遺產(chǎn)，以應(yīng)對(duì)今后與可持續(xù)發(fā)展目標(biāo)相關(guān)的主題，特別是地方社區(qū)、群體和個(gè)人的參與。本次會(huì)議將提供一個(gè)細(xì)致的視角，說明為什么非物質(zhì)文化遺產(chǎn)保護(hù)可以作為可持續(xù)發(fā)展的動(dòng)態(tài)力量，將傳統(tǒng)與充滿韌性、包容和可持續(xù)性的未來愿景相結(jié)合。

Zoom會(huì)議鏈接：

https://cnrs.zoom.us/j/94804224217?pwd=TTZjZTN1Q2ZnclJIN2c1WFo0amJrdz09#success

會(huì)議號(hào)碼：

948 0422 4217

（推薦使用鏈接進(jìn)入會(huì)議，不需要密碼）

公眾號(hào)總指導(dǎo)：蕭放

內(nèi)容顧問：朱霞 鞠熙

指導(dǎo)教師：賀少雅

公眾號(hào)主編：葉瑋琪

責(zé)編：張巧坭

圖文編輯：張明慧

我們是一個(gè)亦莊亦諧

的公眾號(hào)

北師大民俗學(xué)

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