東京畫廊＋BTAP榮幸宣布將于2023年9月16日舉辦“新朦朧主義系列展：場”。本次展覽是繼2013年以來，東京畫廊＋BTAP主辦的第十二場新朦朧主義系列展。

新朦朧主義源于二十世紀初日本的朦朧體繪畫，2013年由東京畫廊＋BTAP總監田畑幸人，日本批評家峯村敏明，藝術家王舒野共同發起，旨在從新的藝術語境中發掘更具東方美學特征的作品，尋找一種兼具人性，神性與自然性的東方質感。近十年來，在來自中國、日本和韓國的9位理論家和策展人田畑幸人、峯村敏明、王舒野、魯曉波、皮道堅、夏可君、金福基、Kate Lim、魏祥奇的支持下，新朦朧主義展覽先后在東京畫廊+BTAP、798藝術工廠、紅專廠當代藝術館、清華大學美術學院、湖州市美術館舉辦了展覽，共推出了來自中國、日本、韓國、美國、德國、巴基斯坦的70余位藝術家的作品，在中央美術學院美術館、清華大學美術學院美術館等舉辦了5場學術性研討會。

本次新朦朧主義系列展特邀姚君擔綱策展人，相較歷屆新朦朧主義系列展，本次姚君根據參展作品將空間重新設計，作品與空間形成更統一的場域。東方哲學是“由物及心”，又“由心至物”的，心物相契間萌生感動。在心物之間推演、伸展、衍化，從而喚起無限的弦外之音，畫外之意，象外之境，成為一種特有的場，或者說是一種境界，這是心和天地萬物之間產生的感應觀照。也是東方藝術最重要的品質，藝術家必然要澄懷觀照，使心靈深處光明昭然，赤裸裸、光燦燦。如“萬里無云萬里天”的本然明空，才能進入心物從容的境地，從而洞見內心的無限，超越一切的時空、因果，透見無我的永恒。此刻，藝術是一場超驗的活動，在有限的形象中，展開一次次無限的探究。個體之心，物我萬象，晃晃然如空如虛，這是一種本體窮究后的審美人生和審美喜悅。

本次展覽以“場”為名，可以看成這是中國藝術家自心與“天地精神獨往來”的一次自覺與觀照。在本次參展藝術家朱建忠、王舒野、葉劍青、田衛、蔣非默的作品中都各自流露出“天地并與，神明往與”的審美內涵與生命氣象。從他們的藝術實踐看，美的法則，就是心的法則。澄觀一心而騰踔萬象，它最終“不即不離”的指引著我們——回歸自我，過去、現在和未來！

本次展覽將持續到10月21日，屆時歡迎您蒞臨參觀。

Tokyo Gallery + BTAP is honored to announce that it will hold the exhibition “Part of Neo-Mōrōism exhibition series: Field” on September 16, 2023. This is the twelfth exhibition in the series of Neo-Mōrōism themed exhibition hosted by Tokyo Gallery + BTAP since 2013.

Neo-Mōrōism originated from Japanese misty paintings in the early 20th century. In 2013, it was co-initiated by Yukito Tabata, director of Tokyo Gallery + BTAP, Japanese critic Toshiaki Minemura, and artist Wang Shuye, aiming to discover more oriental aesthetic characteristics from a new artistic context. The works are looking for an oriental texture that combines humanity, divinity and nature. Over the past ten years, with the support of nine theorists and curators hailing from China, Japand and South-korea, namely Yukito Tabata, Toshiaki Minemura, Wang Shuye, Lu Xiaobo, Pi Daojian, Xia Kejun, Kim Bok-ki, Kate Lim and Wei Xiangqi. Over the past ten years, a number of exhibitions on Neo-Mōrōism were successively held at Tokyo Gallery +BTAP, 798 Art Factory, the Redtory Museum of Contemporary Art (RMCA), the Academy of Arts & Design, Tsinghua University (AADTHU) and Huzhou Art Museum. This has resulted in the showcasing of works by more than 70 artists from China, Japan, South-Korea, the U.S., Germany and Pakistan, a total of 5 academic symposia in both CAFA Art Museum and the Art Museum of the Academy of Arts & Design, Tsinghua University (AADTHU).

Yao Jun is specially invited to be the curator of this Neo-Mōrōism series exhibition. Compared with the previous Neo-Mōrōism series exhibition, the art works and space form a more unified field as he redesigned the space according to the exhibited works this time. Eastern philosophy is "from things to mind", and "from heart to things", and the relationship between mind and matter is moved. Deduce, stretch, and evolve between mind and matter, so as to evoke infinite sounds outside the strings, meanings outside the picture, and realms beyond the image, becoming a unique field, or a state, which is produced between the heart and the world. Inductive observation. It is also the most important quality of oriental art. Artists must contemplate with clarity, so that the depths of the soul are bright, naked, and radiant. Such as the original clear sky of "a cloudless sky for thousands of miles", you can enter the calm state of mind and matter, so that you can see the infinity in your heart, transcend all time, space, cause and effect, and see eternity without self. At this moment, art is a transcendental activity, where infinite explorations are carried out in a limited image. The mind of an individual, everything and everything, is as empty as nothing. This is a kind of aesthetic life and aesthetic joy after a thorough study of the ontology.

This exhibition — entitled ‘Field’ — can be seen as a kind of introspection and observation undertaken by Chinese artists, a veritable to-and-fro between their individual minds and the universal spirit. The works on show by artists Wang Shuye, Zhu Jianzhong, Ye Jianqing, Tian Wei and Jiang Feimo all reveal aesthetic connotations and an ambiance of life in which ‘heaven and earth are united, as are the deities.’ Their artistic practice shows us that the rules that govern beauty are the same ones that govern the mind. By sagaciously examining the mind, one can rise above all things in existence. In the end, this approach discreetly guides us in our return to the self, the past, the present and the future!

The exhibition will last until October 21st and you are cordially invited to visit the exhibition.