按語

本學(xué)期，傳播學(xué)院謝孟頤老師開設(shè)《人工智能與視覺傳達(dá)設(shè)計(jì)》課程，新聞學(xué)、編輯出版學(xué)、廣播電視編導(dǎo)、播音與主持藝術(shù)等多個(gè)專業(yè)的同學(xué)借助AIGC工具，探索人工智能與藝術(shù)創(chuàng)作的創(chuàng)意融合。

"The Persistence of Memory", 薩爾瓦多.達(dá)利, 1931

如果馬克斯·恩斯特、達(dá)利、雷尼·馬格利特這三位超現(xiàn)實(shí)主義大師晚出生100年，他們會(huì)不會(huì)沉迷AI？直到派生出一個(gè)“人工智能超現(xiàn)實(shí)主義”流派呢？

藝術(shù)家蔡國強(qiáng)于一年多前推出了cAI?（他指導(dǎo)下的人工智能實(shí)驗(yàn)藝術(shù)計(jì)劃），AI會(huì)怎樣影響、改變，或者替代藝術(shù)家和設(shè)計(jì)師的工作呢？

對于更多的非職業(yè)藝術(shù)工作者，AIGC能不能？怎樣能讓沒接受傳統(tǒng)藝術(shù)教育和設(shè)計(jì)訓(xùn)練的人也做出藝術(shù)家般的創(chuàng)作呢？

帶著好奇，也帶著懷疑，我們開設(shè)了這門《人工智能與視覺傳達(dá)設(shè)計(jì)》，面向非藝術(shù)和設(shè)計(jì)類專業(yè)，與基本沒有任何傳統(tǒng)繪畫和設(shè)計(jì)基礎(chǔ)的同學(xué)們，共同學(xué)習(xí)、思考和實(shí)踐，探尋各自心中的答案。

有人說“時(shí)間”是海綿里的水，有人說“時(shí)間”是聰明的，它讓一切變得痛苦，有人說“時(shí)間”總是“匆匆”，有人說“時(shí)間”從來都不存在……

“時(shí)間”是什么？

對于這個(gè)既抽象也具體的話題，借助AIGC文生圖的工具理性，能碰撞出怎樣的視覺詮釋？

以下是華東師范大學(xué)傳播學(xué)院新聞學(xué)、廣播電視編導(dǎo)、編輯出版學(xué)、播音與主持藝術(shù)幾個(gè)專業(yè)的同學(xué)在AIGC工具的學(xué)習(xí)中，對“時(shí)間”的思考和描繪。

創(chuàng)作者：陳宗愛 2022級(jí) - 新聞學(xué)

在一片迷離與扭曲中，時(shí)間與空間的界限仿佛被徹底打破。時(shí)鐘不再規(guī)定時(shí)間尺度，生命也擺脫了時(shí)空的束縛。人們行走在巨大的莫比烏斯環(huán)上，沒有起點(diǎn)也沒有終點(diǎn)；過去、現(xiàn)在與未來交織在一起，無限循環(huán)，形成了一個(gè)獨(dú)特而奇妙的世界。相遇、離別、重逢……每一個(gè)踏入這片領(lǐng)域的旅者，都將經(jīng)歷一場關(guān)于時(shí)間和空間本質(zhì)思考的心靈之旅。

“時(shí)間”的頭腦風(fēng)暴

MJ + 可靈AI / #prompt：With time as the theme, generate an illustration that represents time disorder, time chaos, time and space chaos, and the growth and destruction of all things without order --chaos 20 --ar4:3 --weird 400 --v 6.1

時(shí)間的“序”與“失序”

當(dāng)今社會(huì)的時(shí)間是可視化的，由鐘表、數(shù)字等等的形式呈現(xiàn)。也許是符合生物規(guī)律也許是順應(yīng)社會(huì)運(yùn)轉(zhuǎn)，人們根據(jù)時(shí)間指示按部就班地生活，“什么時(shí)間該干什么事”，是生長在大部分人內(nèi)心的法則。

然而，當(dāng)我們看見數(shù)字，卻難以真正感知到時(shí)間的存在。

自然世界也是如此，雖然沒有時(shí)鐘來展示具體的時(shí)間，但日升日落、四季流轉(zhuǎn)、天氣也變換都順應(yīng)著時(shí)序規(guī)律。一切好像本來就是這樣，如同被設(shè)定好的程序一般。

當(dāng)固有的時(shí)間秩序被打破，當(dāng)不符合規(guī)律的情況發(fā)生，當(dāng)失序撲面而來，一切意義被消解，帶來的會(huì)是混亂還是解放？

Liblib AI / #prompt：kelimute_bb, The urbanlandscape, goingto work and going toschool, foldedand transformedspace, space-timedistortion,pedestrianswalking in the sky, One of the buildings is the clocktower, whichshows the time of teno'clock,citydisorder, intersectionsofbuildings, peoplewalking on the walls of houses, oil paintingartwork, Thisatworkis reminiscent of GustavKimt'sstyle, industrial, andatmospheric style with vibrant colors and strong contrast,

Liblib AI / #prompt：Surreal, kelimute_bb, Heavyrain, The heavy rain fellvertically, the sky isclear, the wind isstrong, the trees are lush, black clouds, The lake is as calm as amirror, the lake is irregular in shape, the lake looks like a clock, with numbers and pointers, oil painting artwork, This art work is reminiscent of Gustav Kimt's style, industrial, and atmospheric style with vibrant colors and strong contrast, the lake was a transparent clock,（重繪：heavy rain）

Liblib AI / #prompt：chaoxianshi,surrealism, pinkcloud, abed and a pink cotton are connected by a wooden ladder inbetween,ladder, bedin grassyfield,darkblue sky, There is a very big bright moon in thesky, insidethe moon is a clock dial, There are many clocks in the picture, round, square, triangular, some clocks hanging from theclouds, ahorse is on the bed, and the pointer of the clock point to ten o'clock in the evening,

Liblib AI / #prompt： kelimute_bb, The seasons are staggered, chaotic, sunny and rainy, and plants sprouting in the white snow in winter, oil painting artwork, This atwork is reminiscent of Gustav Kimt's style, industrial, and atmospheric style with vibrant colors and strong contrast

創(chuàng)作者：楊菲 2022級(jí) - 新聞學(xué)

記憶是一座沙堡，隨著時(shí)間的流逝會(huì)慢慢溶解、部分坍塌。

Firefly / 提示：畫面下半部分是人臉眉毛以下的部分，沒有額頭，腦子的部分是一個(gè)沙子做的城堡，有水滴下來使城堡溶解、坍塌

“時(shí)間是一面鏡子，可以映現(xiàn)出一切真實(shí)”，而時(shí)間之鏡前，眾生平等。（時(shí)間→流水→鏡子 平等→赤裸）

MJ / #prompt：A lot of people were standing,looking ahead and wearing only underwear,with a sprinkler overhead that was spraying water. This shower is very large so that everyone can get caught in the water.Viewed from below.,Oil painting, this work is reminiscent of the style of Gustav Ginz,industrial and atmospheric style,bright colors,strong contrast,

Liblib AI / #prompt：There is a huge clock whose surface is a mirror. People pass in front of this clock with their clothes on,and the corresponding person in the mirror has no clothes .,Oil painting,this work is reminiscent of the style of Gustav Ginz,industrial and atmospheric style,bright colors,strong contrast,

康德認(rèn)為：時(shí)間并非外在存在的獨(dú)立實(shí)體，而是人類感知世界的一種先驗(yàn)框架。每個(gè)人的時(shí)間感知都受到其個(gè)人經(jīng)驗(yàn)、心理狀態(tài)、文化背景等多重因素的影響，因此“時(shí)間”在每個(gè)人眼中都可以是不同的。

MJ / #prompt：Surrealistic abstract time perception, overlapping melting clocks, distorted figures, and fragmented landscapes. Show past, present, and future coexisting in one scene, with stretched and compressed elements, representing psychological time manipulation. Use vibrant gradients, contrasting light and shadow, and broken timepieces to evoke emotional shifts and subjective time flow

時(shí)間的心理空間

我們的心理狀態(tài)能夠扭曲時(shí)間的流速。比如焦慮時(shí)時(shí)間似乎變得很慢，而在興奮或快樂時(shí)，時(shí)間卻飛逝。

MJ / #prompt：Surreal depiction of time‘s psychological perception, showing how emotions warp the flow of time. Time stretches and compresses around distorted figures and landscapes. Show scenes with vibrant colors for happy moments and darker tones for painful or anxious moments, symbolizing how time is perceived differently based on emotional states. Use dreamlike, flowing elements to create a sense of time bending and shifting.In the style of light watercolor. With a human standing in it.

時(shí)間的斷裂與重構(gòu)

時(shí)間的流逝是連續(xù)的，但我們常常在某些時(shí)刻感到它被打斷、錯(cuò)位或無法控制。不對稱的時(shí)鐘碎片、裂開的日歷頁，或斷裂的物體，象征時(shí)間在個(gè)體感知中的不穩(wěn)定性。

MJ / #prompt：Surrealistic abstract representation of time's fragmentation and reconstruction. Use sharp, jagged edges and fragmented elements to show time as something unstable, with broken pieces of time spread across surreal landscapes. Incorporate shifting light and distorted shadows to evoke the feeling of time being interrupted and reconstructed.In the style of light watercolor.With a human standing in it.

時(shí)間的失控與無序

時(shí)間的感知常常被社會(huì)結(jié)構(gòu)和文化背景所影響，有時(shí)甚至是失控的。在超現(xiàn)實(shí)主義風(fēng)格中，通過象征性的元素來表現(xiàn)時(shí)間的“無序”。

MJ / #prompt：Surrealistic depiction of chaotic and uncontrolled time.Include elements like fragmented landscapes, warped structures, and surreal light effects to evoke a sense of time slipping away uncontrollably. Use abstract forms and intense contrasts to emphasize the unpredictability and disorder of time.In the style of iridescent.With a human standing in it

時(shí)間永恒與循環(huán)

時(shí)間并不是線性發(fā)展的，而是循環(huán)往復(fù)。通過呈現(xiàn)周期性重復(fù)的符號(hào)，如太陽與月亮交替、四季變化等，來表達(dá)時(shí)間的循環(huán)性。超現(xiàn)實(shí)的畫面可以把這些元素變形或錯(cuò)位，以表現(xiàn)時(shí)間在個(gè)體感知中的無窮延續(xù)。

MJ / #prompt：Surrealistic representation of eternal time and cyclical nature, with repeating symbols like the sun, moon, and clocks in endless loops. Show time as a spiral or circular pattern, with recurring elements such as seasons, celestial bodies, or mechanical gears. Use gradients and soft glowing effects to symbolize the endless flow of time, with subtle transitions between past, present, and future. Create a dreamlike, infinite loop of time that feels both timeless and ever-moving.In the style of light watercolor. With a human standing in it

創(chuàng)作者：錢恩朵 2023級(jí) - 編輯出版學(xué)

時(shí)鐘 —— 年鐘 —— 生鐘 —— 命鐘

海德格爾認(rèn)為：時(shí)間是我們理解存在的重要維度。人類的存在被時(shí)間所規(guī)定，“存在”意味著“在時(shí)間中”存在。死亡作為時(shí)間的終結(jié)，是個(gè)體存在的極限，這讓時(shí)間成為我們生活中不可回避的背景。

我們對未來的規(guī)劃、對過去的回憶，都是在時(shí)間中定位自身的方式。

“時(shí) 鐘”—— 一天的輪回

MJ / #prompt：A detailed clock face with clear, elegant numerical markings around the edges, its surface divided into four quadrants depicting the same natural scene across different times of the day. The top-left quadrant shows a serene dawn with soft pink and gold hues, the top-right depicts a bright noon with vibrant blue skies, the bottom-right illustrates a warm sunset with orange and red tones, and the bottom-left captures a tranquil midnight with deep navy blues and stars. The bas-relief style adds depth to the textured scenes, while the metallic rim of the clock glows subtly under diffused lighting. Created Using: neoclassical design aesthetics, multi-depth carving, soft gradient blending, fine details, hd quality, precise transitions, time-inspired symmetry –ar 1:1 –v 6.0

“年 鐘”—— 一年的輪回

MJ / #prompt：A vintage clock face with weathered and chipped numerical markings, covered in a fine layer of dust, The surface is divided into four quadrants, each depicting a season in the same picturesque landscape, spring with blooming flowers and soft pastel colors under gentle morning light, summer lush greenery and vivid sunlight and a clear blue sky, autumn with golden and orange leaves scattered, winter with a serene snowy scene frosted trees and a cold, pale blue atmosphere. Subtle transitions between seasons, the clock hands made of tarnished bronze, blending into the nostalgic aesthetic, intricate textures, cinematic lighting, photorealistic details --v 6.0

“生 鐘”—— 一生的輪回

MJ / #prompt：A shattered clock face with broken edges and fading numerical markings, its surface divided into four distinct quadrants, each featuring the same person's face at a different life stage: an innocent baby with soft, round features; a vibrant youth with smooth skin and energetic eyes; a contemplative middle-aged person with defined lines and wisdom in their expression; and an elderly, The clock is covered in a layer of dust, evoking a sense of abandonment and the passage of time. Three tarnished clock hands--hour, minute, and second--are bent and worn, adding to the atmosphere of decay. Muted colors of gray, brown, and beige dominate, creating a melancholic and symbolic depiction of life's transience. High detail, cinematic lighting, photorealistic texture --v 6.1

“命 鐘”—— 因果輪回

概念來源于佛教中“十二因緣”，指從“無明”到“老死”這一過程的十二個(gè)環(huán)節(jié)，因果相隨，三世相續(xù)而無間斷，使人流轉(zhuǎn)于生死輪回大海，而不能得以出離。“十二”與最基礎(chǔ)的時(shí)鐘上的 12 個(gè)數(shù)字呼應(yīng)，因此借用于呈現(xiàn)“命鐘”的主題。

時(shí)間沒有終點(diǎn)，是因果關(guān)系形成的輪回。生命在時(shí)間的循環(huán)中經(jīng)歷不同的狀態(tài)，直到因緣消盡，又進(jìn)入新的一個(gè)輪回。

MJ / #prompt：A circular design representing the Buddhist concept of " 十二因緣 ," featuring 12 detailed symbolic figures like an elderly person, a pregnant woman, and an infant, each symbolizing a stage of life. The figures are artistically overlapped, gradually fading into each other, creating a dynamic, seamless flow. The background is a soft golden gradient, adding a spiritual and timeless atmosphere. Subtle glow effects around the circle emphasize harmony and connection, intricate textures for depth, high-resolution quality, ethereal lighting, spiritual symbolism, elegant artistry --ar 1:1 --v 6.1

創(chuàng)作者：邊宇琳 2022級(jí) - 編輯出版學(xué)

“時(shí)光容器”

沙漏記錄時(shí)間，往往是結(jié)果性的，三分鐘、五分鐘、三十分鐘。而此刻，沙漏記錄著種種。在這組畫面中，沙漏成為了一個(gè)神奇的時(shí)光容器，它不再僅僅是記錄時(shí)間的工具，而是承載著豐富多彩的生活瞬間。

MJ / #prompt：Surreal hourglass, each layer depicting a season: spring at the top with blooming flowers and budding trees, summer in the middle with sunny beaches and lush greenery, autumn below with falling red leaves and golden fields, winter at the bottom with snowy landscapes and cozy fires, vibrant seasonal colors blending seamlessly, intricate details in each scene, poetic representation of time and nature's cycle, soft ambient light, dreamlike and artistic

“時(shí)間便利店”

越是不起眼的小店里，內(nèi)里便越是別有洞天。走進(jìn)時(shí)空便利店，也是走向另一個(gè)世界。里面有什么？

MJ / #prompt：A time convenience store, comic style, jars shaped like clocks, various items in the shape of time symbols such as hourglasses, sundials, and watches, warm and whimsical atmosphere, vibrant colors, detailed line art, imaginative and surreal design

MJ / #prompt：A time convenience store, comic style, jars shaped like clocks neatly arranged on shelves, various items in the shape of time symbols such as hourglasses, sundials, and pocket watches, a mysterious glowing time portal in the background with a distorted, swirling landscape visible through it, warm and whimsical atmosphere, vibrant colors, intricate line art, surreal and imaginative design

創(chuàng)作者：楊薇竹 2022級(jí) - 播音與主持藝術(shù)

“時(shí)間的使者”

MJ / #prompt：Dark sci-fi style; In the middle of the screen, there is a time messenger dressed in a black robe holding a clock and walking through a small alley. On both sides of the alley, people of different ages are doing their own activities.-- ar 1:1

MJ / #prompt：realist style; In the middle of the creen, there is a time messenger dressed in a black robe holding a clock and walking through a small alley. On both sides of the alley, people of different ages are doing their ownactivities. Hasbright color tones; The Time Messenger looked at the children around him with a smile, but no one around him looked at him；ar1:1

MJ / #prompt：Chinese ancient realistic style; The sundial is in the center of the screen, surrounded by several young and handsome swordsmen and female knights, as well as a child carrying a medical kit, anxiously looking at the sundial as if waiting for something;

創(chuàng)作者：楊靖儀 2022級(jí) - 編輯出版學(xué)

在時(shí)間的長河里，人的眼睛如同一盞永不熄滅的燈，照亮過往與未來，見證一切的開始與結(jié)束。即便是在最深的絕望中，人類的目光仍能穿透黑暗，尋找希望的光芒。我們用眼睛去觀察，用心去感悟，即便面對破碎與摧毀，也能從中找到重生的力量。在時(shí)間的永恒與生命的脆弱之間，人類展現(xiàn)出了不屈的精神，證明 了 即使是最微小的生命，也能在時(shí)間的畫卷上留下深刻的痕跡。

柔嫩的肌膚逐漸變得粗糙，眼角的皺紋如同時(shí)間的刻痕，無聲地講述著歲月的故事。盡管每個(gè)人的生命終將歸于塵土，但正是這些變化，讓生命顯得尤為珍貴。在時(shí)間的無限延伸中，人類的生命雖短，卻因體驗(yàn)、感受和創(chuàng)造熠熠生輝。

時(shí)間從來都公平，它不會(huì)為任何人停留。人們在時(shí)間中生活、工作，感受生命的潮起潮落。每個(gè)人都在各自的時(shí)間里演繹不同的故事傳奇，在有限中表達(dá)永恒。

時(shí)間永恒而生命短暫

時(shí)間隧道映照出她們成長的軌跡。從青澀到成熟，從懵懂到深刻，每一次轉(zhuǎn)變都見證了彼此的默契與理解。她們用行動(dòng)證明，真正的感情能夠超越時(shí)間的束縛，成為永恒的力量。在時(shí)間的旅程中，她們不僅找到了彼此，更找到了生命的意義與價(jià)值。

創(chuàng)作者：鐘愛 2022級(jí) - 播音與主持藝術(shù)

時(shí)間樹

MJ / #prompt：Design a picture, the core concept of "time is the weaving of memory" is used. When designing graphics, the bold use of flowing and extended lines and perspective techniques is used to express time as an invisible net stretching in space, capturing different scenes, moments or characters in the grid to form fragments of memory. In the center of the picture, an old and mysterious hand holding the net of time can be shown, symbolizing that people try to grasp the time, but after all, they can only retain fragments of memory. The surrounding background can be used to express the endless passage of time with dim stars or overlapping clocks, and the overall tone is dominated by cool colors, deepening the mystery and the depth of time.

時(shí)間是記憶的織網(wǎng)

時(shí)間就像龍卷風(fēng)，帶走一切，留下荒漠

記憶的河流

時(shí)間建筑

創(chuàng)作者：蔡凱茜 2022級(jí) - 編輯出版學(xué)

作品用一則油畫繪本的形式敘述了一個(gè)生命從胎兒到老年的過程。一筆筆油畫筆觸，猶如生命中一個(gè)個(gè)時(shí)空瞬間的細(xì)膩?zhàn)兓Ｔ谶@個(gè)成長、變遷和衰老的故事中，作品也展現(xiàn)了時(shí)間的主觀性。不同年齡段的人物對時(shí)間的各異情感：好奇、追求、沉穩(wěn)和感慨。同時(shí)，作品并未止步于線性時(shí)間的描繪，在繪本的開頭與尾聲，色彩漩渦的元素象征過去、現(xiàn)在與未來的交融，揭示時(shí)間實(shí)則是一個(gè)錯(cuò)綜復(fù)雜、循環(huán)往復(fù)的輪回過程。生命的結(jié)束在這里并非時(shí)間的終結(jié)，而預(yù)示著新循環(huán)的神秘起點(diǎn)。

創(chuàng)作者：

張子柔 2022級(jí) - 廣播電視編導(dǎo)

楊謹(jǐn)寧 2022級(jí) - 編輯出版學(xué)

“少女夢境”

影像結(jié)合了兩位創(chuàng)作者生活中的夢境，改編成了一個(gè)少女的夢境故事。“少女”是夢境的主體和主角，以記憶為開始，從夢中醒來為結(jié)束。在夢境中，她經(jīng)歷了從小女孩到成人的過程。在短短一夜中，度過了自己的半生。現(xiàn)實(shí)中，“大象玩偶”是女孩的阿貝貝（指小孩最親近的陪睡玩偶）；夢境里，玩偶變成了她的親生，陪同她長大，長出血肉和骨架。敘事方法中，反復(fù)的跳接拼接是維持夢境混亂感的方式；在色調(diào)方面，則是大量使用藍(lán)色綠色等清新夢幻的因素。

Dreamcore（夢核）是近年來一種具有討論度的視覺和藝術(shù)風(fēng)格，它通過混合懷舊、超現(xiàn)實(shí)、夢幻和奇幻元素來創(chuàng)造一種不現(xiàn)實(shí)但情感豐沛的氛圍，旨在喚起一種迷離的、模糊的、介于夢境和現(xiàn)實(shí)之間的感覺。Recraft是新興的AI文生圖工具，它生圖的配色和常見的動(dòng)物元素與Dreamcore中常見的懷舊、超現(xiàn)實(shí)和夢幻元素相契合，讓圖像非常符合夢核的色彩。

創(chuàng)作者：林超婧 2022級(jí) - 新聞學(xué)

“加速社會(huì)”，在快節(jié)奏的現(xiàn)代生活中，智能手機(jī)已成為我們不可或缺的伴侶。然而，這種技術(shù)奇跡也帶來了一種悖論：

它承諾解放我們，實(shí)際上卻將我們和時(shí)間一同困住。

MJ / #prompt：smartphone traps a man and clock，The phone acts like a vacuum cleaner, sucking clocks around it in

困在手機(jī)里的“時(shí)間”

困在手機(jī)里的“時(shí)間”

創(chuàng)作者：古麗杰奶提·吐爾洪 2022級(jí) - 編輯出版學(xué)

“時(shí)間”就像一塊柔軟的“拼布”，在眼前蕩漾開去……

MJ / 提示詞：以類似樹的年輪為主題的水面為背景，年輪從中心開始出現(xiàn)綠、藍(lán)（五彩斑斕）、金黃、白顏色的漸變擴(kuò)散開來，一圈一圈的年輪圈上的不同的顏色象征春夏秋冬，象征著時(shí)間的流逝，有古代裝扮的、乘著早期小船的小孩兒和現(xiàn)代裝扮站在航母上的大人在“水面”上遨游

創(chuàng)作者：陳語萱 2022級(jí) - 新聞學(xué)

“時(shí)間的流形”

“時(shí)間永遠(yuǎn)分岔，通向無數(shù)的將來。”

—— 豪爾赫·路易斯·博爾赫斯 《小徑分岔的花園》

MJ / #prompt：Clock like a maze, a complicated maze, a person silhouette block in the maze, flat style, abstract style, minimalist gradient style, Initial style

“逝者如斯夫，不舍晝夜。”——《論語·子罕》

MJ / #prompt：a river, a lot of correct numbers under the river, a person silhouette on the bank, flat style, abstract style, minimalist gradient style, Initial style

“勞動(dòng)時(shí)間不再屬于勞動(dòng)者，而是屬于資本。”

——卡爾·馬克思 《1844年經(jīng)濟(jì)學(xué)哲學(xué)手稿》

MJ / #prompt：clock like a coin with money symbols, golden coin, a black person silhouette, a lot of money, a lot of coins, flat style, abstract style, minimalist gradient style,Initial style

“后現(xiàn)代社會(huì)的時(shí)間被分割為離散的瞬間，缺乏統(tǒng)一的歷史敘事。”

——弗朗西斯·利奧塔爾 《后現(xiàn)代狀態(tài)》

MJ / #prompt：many broken pieces of a clock, many numbers, a broken clock, a black person silhouette, The clock that is torn apart, flat style, abstract style, minimalist gradient style, initial style, colourful, many colors, dreamy

“天空井然有序，模仿那永居統(tǒng)一的永恒，創(chuàng)造了永恒的摹本。摹本要按照定數(shù)運(yùn)動(dòng)，這個(gè)摹本我們叫它時(shí)間。”——柏拉圖 《蒂邁歐篇》

MJ / #prompt：regular, time, clock in the sky, stairs, a person silhouette goes upstairs towards the clock, flat style, abstract style, minimalist gradient style, Initial style

“一切美好的事物都是曲折地接近自己的目標(biāo)，一切筆直都是騙人的，所有真理都是彎曲的，時(shí)間本身就是一個(gè)圓圈。”

——弗里德里希·尼采《查拉圖斯特拉如是說》

MJ / #prompt：a clock like a ring in the middle, many rings, a black person silhouette, flat style, abstract style, minimalist gradient style, initial style, colorful, many colors, dreamy

創(chuàng)作者：高晨飛 2022級(jí) - 編輯出版學(xué)

裂紋是它經(jīng)歷的軌跡，碎片是它記錄的記憶，鐘表的刻度嵌入它深邃的目光中，訴說著過去與未來的交織。時(shí)間在這里凝結(jié)成一張被裂痕分割的臉龐。破碎的鐘表與散亂的圖像，仿佛記憶在流逝的歲月中破碎又重組。那雙眼睛帶著深邃的凝視，穿透過去的碎片，注視著未知的未來。

MJ / #prompt：Design a picture to express the spatio-temporal relationship, expressing human's perception of time, collapse of time and space,the main part of the picture is a huge face, consists of broken buildings and broken clock,fragments of memory surrounding it, time freezes here, memories are broken and reorganized here

創(chuàng)作者：姚辰 2022級(jí) - 編輯出版學(xué)

視覺是感官的一部分，它見證了春夏秋冬、生老病死，留下了回憶。人眼也是記錄時(shí)間的形式，花束、夢幻的色彩和城市、春夏秋冬代表了與時(shí)間相關(guān)的往事記憶。

MJ / #prompt：One eye, with the pupil replaced by a clock surface, and the base of the watch representing spring, summer, autumn, winter with different colors and patterns, dreamy, exquisite

以上來自華東師大傳播學(xué)院

《人工智能與視覺傳達(dá)設(shè)計(jì)》

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