來源：設(shè)計(jì)先鋒隊(duì)（ID:toot8448）

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Located in Belo Horizonte, Minas Gerais, Brazil, Casa Pampulha was originally designed by architect Zanin Caldas in the 1970s and later transformed into a gallery for displaying art collections. Its interior and exterior decoration design combines a variety of elements, showing the historical heritage while highlighting the modern artistic atmosphere.

潘普利亞之家位于巴西米納斯吉拉斯州貝洛奧里藏特，最初是建筑師扎寧?卡爾達(dá)斯于 20 世紀(jì) 70 年代設(shè)計(jì)的住宅，后經(jīng)改造成為藝術(shù)收藏品展示畫廊。其室內(nèi)外裝飾裝修設(shè)計(jì)融合多種元素，在展現(xiàn)歷史底蘊(yùn)的同時(shí)，彰顯著現(xiàn)代藝術(shù)氣息。

From the outside, the building's facade is a wonderful presentation of the fusion of multiple styles. The glass panels are finely modulated to form a unique rhythm. Large areas of glass not only ensure daylighting, but also allow the building to penetrate the surrounding environment. The virtual and real contrast between the solid wall and the glass creates a unique sense of volume, showing a wonderful balance between weight and lightness in the changes of light and shadow. The wooden structure of the building not only provides a framework for the division of space, but also adds a natural and warm atmosphere. This is a reference to the use of natural materials in traditional Japanese architecture, and it also complements the natural environment of Brazil.

從室外看，建筑外立面是多種風(fēng)格融合的精彩呈現(xiàn)。玻璃面板經(jīng)過精妙調(diào)制，形成獨(dú)特的韻律。大面積的玻璃在保證采光的同時(shí)，也讓建筑與周邊環(huán)境相互滲透。實(shí)體墻面與玻璃的虛實(shí)對(duì)比，構(gòu)成了獨(dú)特的體積感，在光影變化中展現(xiàn)出重量與輕盈的奇妙平衡。建筑的木質(zhì)結(jié)構(gòu)不僅為空間劃分提供框架，還增添了自然溫暖的氛圍，這是對(duì)日本傳統(tǒng)建筑中自然材料運(yùn)用的借鑒，也與巴西本土的自然環(huán)境相得益彰。

The renovated landscape design adds a lot of color to the building. The new landscape is supplemented on the basis of restoring the original style. There are many sculptures placed outdoors, such as the ice house sculpture by Italian artist Mario Merz. These sculptures complement the surrounding flowers, plants and trees, making the entire outdoor space an open-air art exhibition hall. People strolling in it can not only feel the beauty of nature, but also appreciate excellent works of art.

改造后的景觀設(shè)計(jì)為建筑增色不少。新景觀在修復(fù)原有風(fēng)貌的基礎(chǔ)上進(jìn)行補(bǔ)充，室外擺放著多件雕塑作品，如意大利藝術(shù)家馬里奧?梅爾茨的冰屋雕塑，這些雕塑與周圍的花草樹木相互映襯，使整個(gè)戶外空間成為一個(gè)露天藝術(shù)展廳，人們漫步其中，既能感受自然之美，又能欣賞藝術(shù)佳作。

Walking into the interior, the spatial layout design cleverly combines the functions of residence and gallery. The original living space has been adjusted to meet the needs of art exhibitions while retaining the atmosphere of life. Each room can be used as an independent exhibition space, divided according to the theme of the art collection, and through the transparent space design and the connection of the wooden structure, the overall coherence is maintained, allowing visitors to smoothly shuttle between different exhibition areas.

走進(jìn)室內(nèi)，空間布局的設(shè)計(jì)巧妙融合了住宅與畫廊的功能。原有的居住空間經(jīng)過調(diào)整，在保留生活氣息的同時(shí)，滿足了藝術(shù)展覽的需求。各個(gè)房間既可以作為獨(dú)立的展示空間，根據(jù)藝術(shù)藏品的主題進(jìn)行劃分，又通過通透的空間設(shè)計(jì)和木質(zhì)結(jié)構(gòu)的連接，保持了整體的連貫性，讓參觀者能夠流暢地穿梭于不同展覽區(qū)域。

The choice of furniture in the room is very unique. There are classic pieces designed by Zanin Caldas in the 70s, and new furniture created by Helena T. Rios. These furniture styles are diverse, some are simple and modern, and some have a retro charm. While they meet practical functions, they also become part of the space decoration. The placement of furniture does not follow the traditional fixed pattern, sometimes creating a warm home atmosphere, and sometimes showing the professional sense of art exhibition, blurring the boundaries between residence and gallery.

室內(nèi)的家具選擇極具特色。既有扎寧?卡爾達(dá)斯在 70 年代設(shè)計(jì)的經(jīng)典作品，又有海倫娜?T?里奧斯創(chuàng)作的新家具。這些家具風(fēng)格多樣，有的簡約現(xiàn)代，有的帶有復(fù)古韻味，它們?cè)跐M足實(shí)用功能的同時(shí)，本身也成為空間裝飾的一部分。家具的擺放沒有遵循傳統(tǒng)的固定模式，時(shí)而營造出溫馨的居家氛圍，時(shí)而展現(xiàn)出藝術(shù)展覽的專業(yè)感，模糊了住宅與畫廊的界限。

Lighting design is a highlight of the interior decoration. The new lighting scheme focuses on the architectural elements of the roof, such as the jagged gaps between the rafters are clearly visible under the light, the wooden trusses around the second floor are designed with linear lights, and the gaps above the room are highlighted by asymmetrical top corner lighting. These lighting designs not only illuminate the space, but also strengthen the three-dimensional and layered sense of the building structure, allowing the charm of the building to be fully displayed in the changing light and shadow.

照明設(shè)計(jì)是室內(nèi)裝飾的一大亮點(diǎn)。新的照明方案著重突出屋頂?shù)慕ㄖ兀绱又g的鋸齒狀縫隙在燈光下清晰可見，環(huán)繞二樓的木質(zhì)桁架采用線性燈光設(shè)計(jì)，房間上方的空隙通過不對(duì)稱的頂角線照明得以凸顯。這些燈光設(shè)計(jì)不僅照亮了空間，還強(qiáng)化了建筑結(jié)構(gòu)的立體感和層次感，讓建筑的魅力在光影變幻中充分展現(xiàn)。

The large display panel under the roof ridge is one of the core elements of the entire interior space. It occupies a prominent position and is used to display large-scale artworks, becoming a visual focal point. When displaying the art collection, the lighting coordination has also been carefully designed to ensure that the exhibits can be presented to the audience in the best state.

屋頂脊下的大型展示面板是整個(gè)室內(nèi)空間的核心元素之一，它占據(jù)顯著位置，用于展示大型藝術(shù)作品，成為視覺焦點(diǎn)。在展示藝術(shù)藏品時(shí)，燈光的配合也經(jīng)過精心設(shè)計(jì)，確保展品能夠以最佳狀態(tài)呈現(xiàn)給觀眾。

Through the clever use of architectural elements, the careful design of furniture and lighting, and the organic combination of landscape and interior space, Casa Pampulha has achieved a perfect transformation from a residence to an art gallery. Here, history, art and life blend together to bring people a unique spatial experience.

潘普利亞之家通過對(duì)建筑元素的巧妙運(yùn)用、家具與照明的精心設(shè)計(jì)，以及景觀與室內(nèi)空間的有機(jī)結(jié)合，實(shí)現(xiàn)了從住宅到藝術(shù)畫廊的完美蛻變。在這里，歷史、藝術(shù)與生活相互交融，為人們帶來獨(dú)特的空間體驗(yàn)。

編輯：夏邊際

撰文：豆寶寶

校改：吳一仁

編排：布忠耀

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