當(dāng)?shù)貢r(shí)間6月15日,“紙語千年?? 藝韻華章——中國(guó)當(dāng)代紙本藝術(shù)國(guó)際巡展”首展在保加利亞索非亞中國(guó)文化中心隆重開幕。展覽由國(guó)家藝術(shù)基金與中國(guó)文化傳媒集團(tuán)聯(lián)合主辦,中傳創(chuàng)展(北京)文化發(fā)展有限公司、北京藝時(shí)間文化科技有限公司、蕪湖市美術(shù)館聯(lián)合承辦,并獲得中國(guó)駐保加利亞使館、索非亞中國(guó)文化中心鼎力支持。本次展覽是國(guó)家藝術(shù)基金2025年度傳播交流推廣資助項(xiàng)目之一,也是近年來中國(guó)紙媒藝術(shù)集群式“走出去”的一次重要實(shí)踐。開幕儀式上,中華人民共和國(guó)駐保加利亞共和國(guó)大使館文化參贊關(guān)昕、索非亞中國(guó)文化中心代理負(fù)責(zé)人劉蓓、承辦單位中傳創(chuàng)展公司代表景曉萌、展覽策展人蕭煌、藝術(shù)家代表李洪波等嘉賓發(fā)表致辭。

王馨曼 / ?綜合材料 / ?2025 / 雪豹:穿越時(shí)空與科學(xué)的凝視 / 50*50cm

國(guó)際生態(tài)環(huán)保藝術(shù)家、云南大學(xué)藝術(shù)學(xué)院教師王馨曼博士的紙質(zhì)綜合材料作品《雪豹:穿越時(shí)空與科學(xué)的凝視》入選并參加了此次國(guó)際巡展。這件尺寸為50厘米×50厘米的作品完成于2025年初,以丙烯顏料和水墨在傳統(tǒng)手工紙上創(chuàng)作,體現(xiàn)了當(dāng)代藝術(shù)實(shí)踐與歷史工藝的融合。這件作品源于王馨曼博士在野生動(dòng)物保護(hù)領(lǐng)域的跨學(xué)科研究,特別是她于2020年11月與倫敦動(dòng)物學(xué)會(huì)(ZSL)合作,在中國(guó)青海進(jìn)行的雪豹保護(hù)野外考察。此次考察由英國(guó)動(dòng)物學(xué)家特里·湯森德(Terry??Townshend)、吉尼斯世界紀(jì)錄保持者、探險(xiǎn)家金飛豹(Jing Fei Bao)和地質(zhì)學(xué)家費(fèi)宣(Fei??Xuan)共同開展,為王博士提供了大量的第一手觀察、攝影記錄和視頻記錄,奠定了她“雪豹”系列的基礎(chǔ)。作品的核心主題是雪豹面部的近距離特寫,細(xì)致入微地刻畫了這只動(dòng)物銳利的目光——一個(gè)充滿深刻警惕和內(nèi)省的時(shí)刻。這種與觀者的直接互動(dòng),促使人們反思人類與自然世界之間脆弱的共存關(guān)系。背景上刻有量子力學(xué)公式,與古老的東巴文字并置。東巴文字是一種古老的象形文字,至今仍在王馨曼博士的家鄉(xiāng)——中國(guó)云南使用。科學(xué)符號(hào)與精神象征的相互作用,構(gòu)建了一場(chǎng)經(jīng)驗(yàn)與神秘、現(xiàn)代與古代、人類智慧與自然永恒智慧之間的視覺對(duì)話。作品中對(duì)比鮮明的元素——當(dāng)代物理學(xué)、古代文獻(xiàn)以及雪豹原始而未馴服的存在——引發(fā)人們對(duì)過去一千年來人類與環(huán)境之間不斷演變的關(guān)系的思考。科技進(jìn)步是否促進(jìn)了人類與自然世界更加和諧的共存,還是加劇了雪豹等瀕危物種面臨的威脅?通過嵌入這些視覺和概念上的張力,王博士的作品超越了單純的表述;它成為一種緊迫的行動(dòng)號(hào)召,促使觀眾參與到野生動(dòng)物保護(hù)和日益加劇的全球氣候變化危機(jī)中。通過雪豹系列,王博士將藝術(shù)、人類學(xué)和環(huán)境保護(hù)融合在一起,呼吁觀眾不僅要欣賞這種難以捉摸的物種的美麗,還要思考它們?cè)谒茉斓厍蛏鷳B(tài)未來方面所扮演的角色。

展覽現(xiàn)場(chǎng)

展覽現(xiàn)場(chǎng)

本次展覽聚焦中國(guó)當(dāng)代藝術(shù)語境中“紙”的媒介價(jià)值與文化表達(dá),遴選80余件具有代表性的紙本藝術(shù)作品,涵蓋水墨、拓印、剪紙、紙雕、紙裝置、紙漿與復(fù)合媒材等形式,內(nèi)容豐富,主題多樣,既有承續(xù)傳統(tǒng)文脈的精微水墨與民間剪紙,也有以紙為物質(zhì)語言進(jìn)行觀念轉(zhuǎn)譯、身體書寫與空間裝置的當(dāng)代實(shí)驗(yàn),在尺寸、結(jié)構(gòu)與媒材上展開跨媒介組合。展覽旨在以紙為核心材料,探討自然生態(tài)、時(shí)間記憶、感官經(jīng)驗(yàn)等當(dāng)代藝術(shù)主題,系統(tǒng)展示在全球藝術(shù)語境下中國(guó)當(dāng)代紙藝的藝術(shù)形式與文化深度。

“紙語千年??藝韻華章”??中國(guó)紙本藝術(shù)國(guó)際巡展在彰顯中華文明中“紙”作為文化載體歷史厚度的同時(shí),也突出了當(dāng)代藝術(shù)視野中“紙”的延展性與跨文化溝通力。在新的時(shí)代背景下,本次巡展立足于中華文化的深厚積淀,以更加開放、多元、國(guó)際化的姿態(tài),推動(dòng)中國(guó)紙媒藝術(shù)出海,聚焦紙的視覺語言與文化意象,推動(dòng)文化理解與文明互鑒,助力中國(guó)當(dāng)代藝術(shù)在全球藝術(shù)體系中主動(dòng)發(fā)聲,在國(guó)際認(rèn)知結(jié)構(gòu)中獲得更具主體性的表達(dá)。

作為巡展的首站展出城市,索非亞在歐洲紙藝文化中的特殊地位也為本次展覽賦予更多深層意義。近年來,隨著城市文化機(jī)制的不斷開放與多元藝術(shù)形態(tài)的興起,索非亞逐漸成為歐洲紙藝創(chuàng)作與展示的重要節(jié)點(diǎn)城市。展覽首站在此落地,不僅呼應(yīng)了城市空間對(duì)紙媒文化的承載力,也為推動(dòng)中國(guó)紙本藝術(shù)在國(guó)際上的系統(tǒng)傳播提供了良好平臺(tái)。

Sophia Xinman Wang participated in the 2025 National Art Fund International Tour

On??June 15th, local time, the first exhibition of "Paper Language for??Thousands of Years, Artistic Rhythm and Splendor - International Tour of??Contemporary Chinese Paper Art" was grandly opened at the Chinese??Cultural Center in Sofia, Bulgaria. The exhibition was co-organized by??the National Art Fund and China Cultural Media Group, and co-organized??by China Media Creative Exhibition (Beijing) Cultural Development Co.,??Ltd., Beijing Yishijian Cultural Technology Co., Ltd., and Wuhu Art??Museum, and was strongly supported by the Chinese Embassy in Bulgaria??and the Chinese Cultural Center in Sofia. This exhibition is one of the??2025 communication, exchange, and promotion funding projects of the??National Art Fund, and it is also an important practice of Chinese paper??media art cluster "going out" in recent years. At the opening ceremony,??Guan Xin, Cultural Counselor of the Embassy of the People's Republic of??China in the Republic of Bulgaria, Liu Bei, Acting Director of the??Chinese Cultural Center in Sofia, Jing Xiaomeng, representative of the??organizer China Media Creative Exhibition Company, Xiao Huang,??exhibition curator, and Li Hongbo, representative of artists, and other??guests delivered speeches.

Dr. Sophia??Xinman Wang, an international eco-environmental artist and teacher at??the School of Art of Yunnan University, has selected and participated in??this international tour for her paper-based mixed media work "Snow??Leopard: Across Time and Space and the Gaze of Science". This 50 cm x 50??cm work, completed in early 2025, is created with acrylic paint and ink??on traditional handmade paper, reflecting the integration of??contemporary art practice and historical craftsmanship. This work stems??from Dr. Sophia Xinman Wang's interdisciplinary research in the field of??wildlife conservation, especially her field survey on snow leopard??conservation in Qinghai, China, in collaboration with the Zoological??Society of London (ZSL) in November 2020. The survey was jointly??conducted by British zoologist Terry Townshend, Guinness World Record??holder and explorer Jing Fei Bao, and geologist Fei Xuan, providing Dr.??Wang with many first-hand observations, photographic records, and video??records, laying the foundation for her "Snow Leopard" series. The core??theme of the work is a close-up of the snow leopard's face, which??meticulously depicts the animal's sharp gaze - a moment full of deep??vigilance and introspection. This direct interaction with the viewer??prompts reflection on the fragile coexistence between humans and the??natural world. Quantum mechanics formulas are inscribed on the??background, juxtaposed with ancient Dongba script, an ancient??pictographic script still used in Dr. Wang's hometown of Yunnan, China.??The interplay of scientific symbols and spiritual symbols constructs a??visual dialogue between experience and mystery, modern and ancient,??human wisdom, and the eternal wisdom of nature. The contrasting elements??in the work - contemporary physics, ancient texts, and the raw and??untamed existence of the snow leopard - prompt reflection on the??evolving relationship between humans and the environment over the past??thousand years. Has technological advancement promoted a more harmonious??coexistence between humans and the natural world, or has it exacerbated??the threats faced by endangered species such as the snow leopard? By??embedding these visual and conceptual tensions, Dr. Wang's work goes??beyond mere statement; it becomes an urgent call to action, prompting??viewers to participate in wildlife conservation and the growing global??climate change crisis. Through the Snow Leopard Series, Dr. Wang brings??together art, anthropology, and environmental protection, calling on??viewers to not only appreciate the beauty of this elusive species, but??also to consider the role they play in shaping the future of the??planet's ecology.

This??exhibition focuses on the media value and cultural expression of??"paper" in the context of contemporary Chinese art. It selects more than??80 representative paper-based art works, covering ink, rubbing, paper??cutting, paper sculpture, paper installation, pulp and composite media.??The content is rich, and the theme is diverse. There are both fine ink??and folk paper cutting that inherit the traditional context, and??contemporary experiments that use paper as a material language to??translate concepts, body writing and space installations, and??cross-media combinations in size, structure, and media. The exhibition??aims to explore contemporary art themes such as natural ecology, time??memory, and sensory experience with paper as the core material, and??systematically display the artistic form and cultural depth of??contemporary Chinese paper art in the context of global art.

"Paper??Language for Thousands of Years, Artistic Rhythm and Splendor" China??Paper Art International Touring Exhibition not only highlights the??historical thickness of "paper" as a cultural carrier in Chinese??civilization, but also highlights the ductility and cross-cultural??communication power of "paper" in the vision of contemporary art. In the??new era, this tour is based on the profound accumulation of Chinese??culture. With a more open, diverse, and international attitude, it??promotes the export of Chinese paper media art, focuses on the visual??language and cultural imagery of paper, promotes cultural understanding??and mutual learning of civilizations, and helps Chinese contemporary art??to actively speak out in the global art system and obtain more??subjective expression in the international cognitive structure.

As??the first stop of the tour, Sofia's special status in European paper??art culture also gives this exhibition more profound meaning. In recent??years, with the continuous opening of urban cultural mechanisms and the??rise of diverse art forms, Sofia has gradually become an important node??city for European paper art creation and display. The first stop of the??exhibition landed here, which not only echoes the carrying capacity of??urban space for paper media culture, but also provides a good platform??for promoting the systematic dissemination of Chinese paper art??internationally.

來源：咸寧新聞網(wǎng)