夜幕像一塊巨大的深藍(lán)色絲絨,緩緩覆蓋了整片沙灘。我抱著筆記本坐在一塊被海水打磨得溫潤(rùn)的礁石上,浪潮退去時(shí)帶起的沙礫在腳邊簌簌作響,像是大地在低聲絮語(yǔ)。遠(yuǎn)處的燈塔每隔十秒便投來(lái)一道昏黃的光,把海浪的輪廓照得忽明忽暗,而潮聲始終如古老的詠嘆調(diào),在耳畔循環(huán)往復(fù)。
口袋里的鋼筆被體溫焐得溫?zé)幔P尖觸到紙頁(yè)的瞬間,恰好趕上一波海浪撞碎在礁石上。“嘩 ——” 的一聲巨響里,我寫(xiě)下第一行字:“月光把浪花淬成銀器,每一片都盛著星子的倒影。” 潮聲似乎聽(tīng)懂了我的心意,緊接著送來(lái)一陣綿長(zhǎng)的退潮聲,像是為這句詩(shī)配上了舒緩的尾音。
海風(fēng)帶著咸澀的氣息掠過(guò)紙頁(yè),吹得字跡微微發(fā)顫。我抬眼望見(jiàn)沙灘上散落著幾枚貝殼,其中一枚海螺的螺旋紋路里還凝著水珠,在月光下折射出細(xì)碎的光斑。便提筆寫(xiě)道:“海螺收藏著深海的密語(yǔ),潮來(lái)時(shí)便傾吐出咸澀的詩(shī)行。” 剛落下最后一筆,就有調(diào)皮的浪花漫過(guò)腳踝,冰涼的觸感順著皮膚爬上脊背,驚得我差點(diǎn)碰倒筆記本。
不遠(yuǎn)處的礁石叢里傳來(lái)細(xì)碎的響動(dòng),手電筒的光束掃過(guò)去,才發(fā)現(xiàn)是幾只小螃蟹正背著青灰色的殼橫沖直撞。它們?cè)谏车厣狭粝碌暮圹E彎彎曲曲,倒像是天然的標(biāo)點(diǎn)符號(hào)。我忍不住笑起來(lái),在本子上添道:“蟹爪是移動(dòng)的逗號(hào),在潮間帶續(xù)寫(xiě)未完的篇章。” 潮聲此刻變得輕快起來(lái),一波波細(xì)碎的浪沫吻著沙灘,仿佛在為這行字鼓掌。
寫(xiě)累了便把筆記本攤在腿上,側(cè)耳傾聽(tīng)潮水的韻律。漲潮時(shí)的轟鳴如銅管齊鳴,退潮時(shí)的輕響似弦樂(lè)漸弱,而那些夾在中間的細(xì)碎水聲,像是無(wú)數(shù)支羽毛筆在宣紙上劃過(guò)。忽然明白古人為何要在江邊設(shè)琴臺(tái),原來(lái)自然的韻律本就是最動(dòng)人的樂(lè)章,足以讓任何人工旋律都黯然失色。
礁石縫隙里的牡蠣殼泛著珠光,我伸手摸了摸,殼邊緣還殘留著海水的濕意。想起午后在這里看到的景象 —— 陽(yáng)光把海水濾成透明的綠,一群銀亮的魚(yú)群穿過(guò)浪濤,鱗片折射的光芒比碎鉆更耀眼。便寫(xiě)下:“白晝的浪是鍍金的詩(shī)卷,夜晚的潮是墨色的韻腳。” 潮聲恰在此時(shí)掀起一陣高潮,仿佛為這句詩(shī)加上了驚嘆號(hào)。
不知何時(shí),沙灘上多了一對(duì)依偎著看海的戀人。他們的剪影被月光拉得很長(zhǎng),男生用手指在沙地上畫(huà)著什么,女生的笑聲像風(fēng)鈴般清脆。浪潮漫上來(lái),把沙地上的畫(huà)沖刷成模糊的弧線,卻沖不散兩人眼中的溫柔。我低頭寫(xiě)下:“愛(ài)情是沙灘上的臨時(shí)手稿,被潮水抹去前,已刻進(jìn)彼此瞳孔。”
遠(yuǎn)處的漁船亮著一盞孤燈,在墨色的海面上隨波起伏。燈影投在水里,被浪揉成一串搖曳的光斑,像是從天空墜下的星鏈。便有詩(shī)句自然而然地流淌出來(lái):“漁火是大海別在胸前的紐扣,扣住了整片海域的夢(mèng)境。” 潮聲此刻變得悠遠(yuǎn),仿佛從時(shí)光深處傳來(lái)的嘆息,帶著千年未變的溫柔。
筆尖在紙上沙沙游走,潮聲便是永不疲倦的伴奏。寫(xiě)礁石的沉默,寫(xiě)海藻的纏綿,寫(xiě)星光如何跌進(jìn)浪谷,寫(xiě)晚風(fēng)怎樣偷吻漁船的桅桿。每一個(gè)比喻都沾著海水的咸味,每一段分行都踩著潮汐的節(jié)拍。當(dāng)?shù)谝豢|晨光刺破云層時(shí),筆記本的最后一頁(yè)剛好落下句點(diǎn)。
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潮水退到最遠(yuǎn)的地方,露出被浸潤(rùn)得發(fā)黑的沙礫。那些昨夜寫(xiě)下的詩(shī)句上,已經(jīng)凝滿了晶瑩的露水,像是大海為這組詩(shī)篇鍍上的封蠟。我把筆記本抱在懷里站起身,看朝陽(yáng)把海面染成熔金的顏色,忽然懂得:所謂詩(shī)篇,從來(lái)不是孤立的文字,而是人與自然在某個(gè)瞬間達(dá)成的默契 —— 就像此刻,潮聲依舊,而我心中的詩(shī)句,正隨著浪濤奔向更遠(yuǎn)的遠(yuǎn)方。
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